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Showing posts with label Marie Maginity. Show all posts
Showing posts with label Marie Maginity. Show all posts

Friday, January 24, 2020

Pdocast flashback: An interview with John Karlen



We lost John Karlen this week. As someone who runs a website that's supposed to be fun and engaging, it always feels a little ghoulish to use these kinds of losses to give my website traffic a bump. At the same time, I've got content that people want to see, so it's foolish -- maybe even selfish -- to keep it under lock and key. In this case it's a 2013 interview with Karlen counducted by Marie Maginity for The Collinsport Historical Society podcast. This is one of many episodes that were tossed into the vaults following the podcast's integration with Spotify. This episode hasn't been available to the public for a while now.

The episode is a little rough around the edges ... Karlen was recuperating in a hospital at the time, which didn't help is already cantankerous mood. But it's one of our most popular episodes, and features Karlen talking about his childhood, acting career and his experience as henchman/hero Willie Loomis on Dark Shadows.

You can listen to the interview streaming below, or download it as an MP3 by clicking HERE.

Monday, June 3, 2019

Podcast: MY DINNER WITH SHARON



UPDATE: We're in the process of reviewing our previous podcasts and getting them reinstated in our archives. First up, this 2014 interview with Dark Shadows alumnus Sharon Smyth Lentz! When this episode was first published, Sharon was scheduled to attend MonsterCon in Greenville, S.C. a few weeks later. The convention proved to be the last for actress Arlene Martel, who played T'Pring on the original Star Trek. (She passed away the following month at the age of 78.)

I was also scheduled to attend and participate in a panel with Sharon at MonsterCon ... the day of the festival, though, my wife went into emergency labor and I found myself a father about six weeks earlier than expected. My son will be hearing this story for the rest of his life. "Did I ever tell you about the festival that I missed, Edgar?!"

Anyhoo, here't the podcast, as well as the original post from 2014.

*********************************************************

Marie and Sharon.
Sharon Smyth Lentz joined the cast of Dark Shadows in June 1967, playing the ghost of Sarah Collins, the little sister of vampire Barnabas Collins. In this podcast, she talks about her experiences on the series, her decision to leave acting, and fields a few questions from online fans. It's a fun episode, and hosted by CHS contributor Marie Maginity.

Sharon will be among the former cast members participating in the annual Dark Shadows Festival this weekend, and will be appearing the weekend of July 18 in Greenville, S.C., at MonsterCon.

Listen to the episode streaming above, or download it as an MP3 by clicking HERE.

And subscribe to THE COLLINSPORT HISTORICAL SOCIETY podcast on iTunes for free by clicking HERE!  

Friday, August 5, 2016

An interview with Jerry Lacy


By MARIE MAGINITY

Although I missed getting together with Jerry Lacy at the 50th Anniversary festival (thanks to Doubletree Hotel’s wacky WiFi), he was nice enough to answer some questions via e-mail about his upcoming play, "A Reunion of Sorts."

Jerry Lacy (center) with the cast and crew of "A Reunion of Sorts."
Dark Shadows fans associate you most with the fledgling lawyer Tony Peterson and a good number of the male bloodline of the Trask family, but not everyone knows you have also had a successful career as a writer.  How did you get started and what are some of the works you've authored?
I actually started writing many years ago by writing several scripts for TV shows, NEWHART and PARENTHOOD. But I did not like the way my scripts were treated by the networks and producers of the show. They have complete freedom to change the writer's lines and ultimately the scripts did not reflect what I had intended them to. Sometimes minor, sometimes major changes were imposed on the script and it led me to abandon that form of writing. I then switched to writing screenplays and after a few years of being unable to get any of them produced, even with encouragement from a major Hollywood literary agent, I abandoned that form of writing as well. I then turned to playwriting as a more stable and much more gratifying form of writing. I have now completed five plays, two of which are garnering some awards, and a production.

Do you prefer writing to acting?
Writing is a creative outlet for me between acting jobs.  I suppose I would say that I prefer acting, perhaps only because I have been a performer much longer than I have been a writer.  Acting comes more naturally to me and is easier than writing.  Someone else has done all the work, and just allows me to concentrate on creating a character to go with the words.

Your new play, "A Reunion of Sorts," is scheduled to premiere at Town and Country Players in Buckingham, PA.  How did you come to choose a small community theater in Bucks County as your venue?
A chance meeting with Donna Nicolazzo, the director, and her previous association with the Town and Country Players led to the current production of the play there. I sent her the play and after reading it she expressed a strong interest in directing it.

What is the play about?
The play concerns two older men who dated the same girl 30 years ago. When she calls and asks for a reunion, the two men revert to their youthful rivalry almost instantly. Even though Ted is happily married, he cannot let himself give up the beautiful Jacqueline to Nick, who is alone and forlorn. They drink and discuss, and drink and argue, and drink.

It sounds like an insightful comedy. What inspired you to write it?
I realized that there were very few parts for older men in the theatre, especially in comedy. I had been looking for a play to perform with my friend John McCook ("The Bold and the Beautiful") and could not find one. Eventually I decided the best thing would be to write one.

Do you have any plans for the piece when this production closes?
Nothing specific yet.  I am working on getting another production and possibly get the play published. There has been some discussion about possibly doing a production of it with myself and another DARK SHADOWS alumnus, but nothing definite yet.

"A Reunion of Sorts" is scheduled to run Aug. 12-20 at the Town and Country Players' barn, located 4158 York Road, Buckingham, Pa. It is directed by Donna Nicolazzo and stars James Kirkwood, Kimberlee Arnot-Weidman, Joseph Perignat, John Fogarty and Sue Burke-McKay. You can find the production's Facebook page HERE.

www.townandcountryplayers.org

Wednesday, June 22, 2016

Dark Shadows: A 50th Anniversary Appreciation


By MARIE MAGINITY

It’s 1967, and I am 10 years old. Wandering the neighborhood, I discover my teenage cousin and her friends huddled on the front porch, all staring wide-eyed through the window at the television set in the living room.

“Whatcha doin’?”

“Watchin’ a soap opera.” Oh. I hate boring soap operas and start to leave. “It’s about a vampire and he’s gonna kill this girl.” Oh! I love horror movies and join them, squeezing in amongst the bigger kids to take a look.

On the screen is a distraught young man sitting by a fountain, agonizing over whether or not to warn the young woman of her impending doom. At that moment I forgot all about my undying devotion to Davy Jones of the Monkees, and Willie Loomis became my drug of choice. Five shots are fired off camera and we all jump, grabbing each other with a communal scream that was heard several blocks away.

Around the time of Victoria Winters’ witchcraft trial, I was kicked out of girl scouts for missing too many meetings. That came as a relief because after-school activities were interfering with my soap opera.

It is 1977; I am 20 years old and a theatre major at a university that looked down its academic nose at my love of musical comedy. I submitted a proposal to write and direct an original piece (well, not completely original) for the black box theatre, a venue reserved for undergraduates.


Dark Shadows was in late-night reruns in tandem with Mary Hartman, Mary Hartman, and the combo was very popular on campus, so that was to be my source material. The result was a musical parody titled The Late Shows, and Act I was Dank Shadows (or the Flight of the Fledermaus). It had cheap jokes, Mad Magazine-style song lyrics and featured characters like Barnacle Coffins and Victorian Spinsters.

My friend, who owned one of the first video recorders (reel-to-reel), taped the episodes every night and played them the following day to the crowds that gathered in the lobby of the Student Activities Center.

A year later, a fellow student asked me if I would be interested in going with him to a Dark Shadows convention in Los Angeles. He suggested I might be able to publish and sell my musical parody. Well, I never actually pursued that but I donned my 18th century gown, and he his cape and cane, and we flew to LA.

I had never been to con before, knew nothing about the creature, but it was a blast. We met lots of fellow fans and got to talk to the actors. Actually, I don’t remember talking that much to anyone except John Karlen and Dennis Patrick, but I know who was there because in a caption-writing contest, I won a poster autographed by Michael Stroka, Kathryn Leigh Scott, Karlen, Lara Parker and Jerry Lacy.

It is 2011, and I am — older. While browsing through Netflix, I came across old episodes of Dark Shadows. Hey, cool, I used to love that show, and there was bad boy Willie, my favorite.

When I had watched every available episode, I started over and watched them again. Soon I was supplementing my addiction on the Internet and discovered that I was not alone. There was a DS community, alive and kicking, with enough websites, forums, photos, stories and videos to keep me from ever cleaning my house again.

Well, I didn’t care much for the fanfiction. My older daughter’s obsession with fanfic, anime and manga caused her to flunk all her classes, lose her scholarship and get kicked out of college after the first year. Yet, her devotion to those genres did not wane, and she tried to suck me into the black hole of fandom by telling me about other kinds of fan-authored publications, like Dark Shadows, for instance. Then Demon Spawn (an affectionate nickname) introduced me to a site called Willie Loomis Saves Collinsport, authored by SaraMonster. It is a temple to John Karlen and, among its resources, is a listing of Williefic by some of the old masters. I clicked on one — just out of curiosity.

It was a story about Willie at a hardware store picking out paint chips for the Old House. Seemed silly to me, but I finished the story and went on to the next.


There were also love stories, in which Willie mated with Vickie, Carolyn, Maggie, an OC (original character) or the author herself. I can’t count how many times Maggie has begged him to take her virginity and, of course, he always obliges, because he’s a such a nice guy.

Yes, I initially scoffed at fanfiction, but later came to understand its appeal. Then I started to write a little. That turned into writing a lot. My daughter acts as my fanfic consultant and beta reader. Like a good kid, she walked her technology-challenged parent through the confusing process of posting my fics at their first home on Fanfiction.net.

2012. The remake film is released, and this family looked forward with great anticipation. A Tim Burton treatment promised to be awesome and adolescent Daughter #2 had a major crush on Johnny Depp. When the topic of this movie comes up now, my constant comment is, “Really nice art direction.”

Not long after, I befriended a woman on the internet who, as it turns out, grew up down the street from John Karlen and family, and was still friends with his son, Adam. She then introduced me to Adam and with his permission, gave me John’s address of the nursing home he was at.

That was when I wrote my first fan letter. I don’t remember what it said, but it was four pages long. A few days later my phone rang and it was Adam Karlen, who called to tell me how much his dad enjoyed the letter and that John wanted to meet me. Then John got on the line and called me sweetheart. I booked the flight.

My editor at Collinsport Historical Society heard of it and jumped in to ask if I would do a podcast interview with John. It was not the greatest piece; I was so nervous, but we had lunch in his room and watched a ballgame on TV. We keep in touch by phone and every Christmas and birthday I send him something Polish.

Later I attended my second fest in 2014 and scored interviews with Sharon Smyth, Christopher Pennock and James Storm. I’ll just keep practicing till they better.

Marie Maginity and Dennis Patrick.
Marie Maginity is the author of the Willie Loomis World Series, writing under the name Mad Margaret. She freelances for several publications and blogs, including The Collinsport Historical Society. She now works as an actor, director and acting teacher. Previous jobs have included facepainter, bartender, film projectionist, opera singer and legal journalist. She once conned her way into a newspaper job as a reporter and later became a feature writer and assistant editor. Marie lives in the suburbs of Philadelphia with one husband, two daughters and two cats. 

Monday, April 6, 2015

COLLINSPORT SHIPPING: The Magic Ensemble


By MARIE MAGINITY

One of DARK SHADOWS’ more whimsical fanfiction writers is Magical Irish Dolphin (I mean, that name says it all). Her stories are fun and imaginative. Picture a Collinwood occupied by not only Josette and Sarah, but dozens of ghosts from every storyline time period, all interacting with each other and their human counterparts.

Magical was good enough to talk with me about herself and her work. So I asked my usual first question.

Tell us a little about background.
I was born in the mid-1980s in Florida, but when I was four, my Mom packed my brothers and me to Colorado, where we still live today. Coming from Irish and Seminole descent, I spoke only Seminole until the relocation. We spent several years dealing with hardships and complications. My mother remarried when I was twelve, and we continue to be a close-knit family.


When did you begin to write?
As a kid, I had a wild imagination, daydreamed a lot to escape reality and was, well, pretty flaky. In second grade we were assigned to write a story with illustrations. Mine was a crossover about 101 DALMATIANS and Freddy Kruger from the NIGHTMARE ON ELM STREET films. Not surprisingly, my first fanfiction was ill received by classmates and teacher alike. I was bummed but somehow survived.

I’m glad you were not deterred. When did you enter the big world of fandoms and fanfic?
Internet fanfiction was a discovery in my teen years, I wasn't really impressed with it at first, but there are some good authors out there. Through the years, I read fics from a variety of fandoms, ranging from BUFFY THE VAMPIRE SLAYER to NCIS, as well as from ‘80s cult films such as THE LOST BOYS and LABYRINTH.

Is that when you began to write your own stories?
At that time, I was completely disinterested in writing fanfiction myself—until I came across the British sci-fi series DOCTOR WHO about five years ago. I fell in love with the whimsical style of that show, and the character’s ability to travel through time and to other worlds. So, I picked up a pen and notebook and wrote some DOCTOR WHO stories. They were just for my personal entertainment and never posted; I felt they weren't good enough.

My brother and I worked on a DOCTOR WHO/FARSCAPE crossover fic. FARSCAPEis an American/Australian sci-fi series that I think aired from 1999-2004. The show featured puppets created by the Jim Henson Company, and had an exotic alien look. My brother loved it, but that project went on hold when I was suddenly bitten with the DARK SHADOWS bug.

When did you come over to the Dark side?
Sadly, unlike the countless number of lucky fans, I did not grow up watching DARK SHADOWS. But my Mother did, and she told me about her love for the show through the years. I saw bits of it in reruns on Sci-Fi Channel and, around the time of the Tim Burton remake, scored the Original Series DARK SHADOWS Collection I DVD set at Sam’s Club.


Later that day, my brother put the first disk into his X-Box, and we hunkered down to watch a punk named Willie Loomis break into a vampire’s coffin in search of jewels. By episode 215 I was hooked— when Willie came back with a haunted look in his eyes and blood on his sleeve. I honestly thought when Willie opened that coffin he was a goner; after all, he seemed to be a disposable villain. But now all of the sudden, he'd become a tortured Renfield-like character with sex appeal. I really loved that twist and John Karlen's powerhouse performance. So, it was Willie, and later his caring for Maggie in the kidnapping storyline that captured my interest.

As a classic movie lover, I enjoyed the gothic look of the show and was especially amazed by the presence of Joan Bennett, in addition to Jonathan Frid's elegant performance as Barnabas Collins.

But it is an ensemble piece, so there’s much more to enjoy, especially the Elizabeth/Jason story, and the interaction between David/Sarah. The early Barnabas stuff remains to be my favorite era of the show, as is his origin story in 1795. Then, of course, there’s Quentin and the fanciful world of 1897.

Above all, I highly feel the show had a tremendous imagination that's more up my ally—normal people surrounded by ghosts, vampires, witches, warlocks, Frankenstein monsters, zombies, involved in séances and time travel.


So the next logical step was to engage in some DS fanfic?
Becoming addicted to DARK SHADOWS rekindled my interest in fanfiction. Similar to my feelings for DOCTOR WHO, only more intense, so the next stories made it to the internet. I can do this, I told myself; I've written supernatural stories about ghosts, witches, spooky children, eccentric weirdoes and vampires before.

When I started searching for DARK SHADOWS fics online, the first thing I noticed is that they usually focus on a singular character, namely Barnabas, occasionally Quentin or Willie. I decided to focus on a variety of characters, after all the show is an ensemble piece, and the fans forget that at times.

Tell us about some of your stories. 
My first one-shots were mostly character studies, beginning with my favorite character, Willie, in A Precious Jewel. It's a typically angsty Willie Loomis fanfiction, in which he mourns the loss of Maggie after her kidnapping ordeal, and characteristically drools over Josette's emerald earrings.

Next was another Willie/Maggie one-shot, Broken Paradise. It takes place during the kidnapping story, with Jason and Elizabeth as the supporting cast. There I created a parallel between Elizabeth and Maggie over their separate situations with Jason and Barnabas, with biting dialogue and a bittersweet ending. Then I focused on other characters, such as Adam in Poetry in Motion, and Beth Chavez in The Trials of a Maidservant, in which Beth must deal with the sordid secrets of the Collins family, such as Jenny locked up in the tower room, and her attraction to Quentin.

In Secrets, David and the ghost of Sarah must endure Barnabas at the height of his vampire villainy, and the tragedies that came with it. Then there are the Barnabas stories: Sparks in Martinique tells the story of he and Angelique, from her POV, and in Truth and Denial, Barnabas must deal with his feelings when Julia is bitten by vampire Tom Jennings.

Some of these early works were problematic but I hope someday to rewrite and make corrections, since I would like to pursue a career in writing.

At this point I was ready to progress to multi-chapter fanfictions, so next came The Music Box. Once again it was about Willie/Maggie and the kidnapping story, which I had explored twice before, as have many other fanfic writers. So I introduced Josette’s ghost into the mix. She returns to the Old House to help Maggie and Willie and their relationship develops into romance.


The two shared a special connection at that time in the series, and John Karlen and Kathryn Leigh Scott had sweet, yet repressed, chemistry. Maybe they never got together on the show, but in my story, they survive Barnabas and the spooks, and end up as a couple.

This eventually spawned a sequel, Ode to the Witch, which brings in my other favorite couple, Quentin and Beth, as ghosts haunting the west wing which is under renovation by future newlyweds Vicki and Burke. But Roger arrives with his bride, Cassandra, which is bad news for Barnabas, who is being cured by Julia. Now that’s an ensemble piece. But wait, there’s more: The Collins’ family ghosts rally to support Barnabas, including Josette, Jenny, Carl (recruited to torment the witch), Sarah (still hanging out with David), Millicent (who is oddly attracted to Joe Haskell), and Bill Malloy, to distract Elizabeth as she deals with Vicki and her parentage. Sounds like a soap opera.

This story is still in progress. Because so much is happening, updating takes longer than usual, and real life does not help one bit.

Have you abandoned your other fandoms now?
I managed to post two one-shots for the NCIS: LOS ANGELES fandom last summer, and that was a great experience. One was a comedic little piece titled The Reminiscence of Youth, about Linda Hunt's character, Hetty Lange and the assistant director of NCIS. It's very dialogue driven and probably the closest to a crack fic I've ever written. The other, Mixed Partners, delved into the popular Kensi Blye/Marty Deeks pairing, which I love. I'm working on another one-shot on that show that will feature a shout out to DARK SHADOWS; two of the characters will go undercover as Jonathan and Lara Collins. I like to tackle other shows eventually, especially DOCTOR WHO because it's my favorite sci-fi series, but I still have big plans for DARK SHADOWS’ stories, and it will always hold a special place in my heart.

Magical Irish Dolphin can be found on Facebook posing under the name Erin Evans.

Marie Maginity is the author of the seven-part Willie Loomis World Series, and writes under the names Mad Margaret and Lizzie Bathory. She has a BA in Theatre and works as a professional actor, director and drama teacher. She has had many “straight” jobs, including bartender, gas station jockey, graphic artist, website designer, facepainter and film projectionist. Once, she bullshitted her way into a newspaper job as a reporter and, over the next eight years, became a copy editor, feature writer and assistant editor. She lives in the suburbs of Philadelphia with one husband, two daughters and two cats. 

Friday, March 20, 2015

Monster Serial: DAUGHTERS OF DARKNESS, 1971


By MARIE MAGINITY

Ah, Belgium: home of chocolate, waffles, pale ale and vampire lesbian films. Well, one, anyway. “Daughters of Darkness” is a cult classic dripping with sensuality, stunning photography and symbolism. Lots of symbolism.

The film starts off with a bang. Literally. The train goes speeding down the track as a young couple get about as creative as you can in a sleeper berth. Focus on the bride’s white bridal bouquet, looking quite virginal.

Yes, the horror movie begins with a young, honeymooning couple. Isn’t that cute? Their happiness is short lived, however. As they lie together in post coital bliss, the girl asks, “Stefan, do you love me?”
“No.” That was quick. The flowers aren’t even dead yet.

 
Valerie (Danielle Ouimet) is established from the start as sweet, innocent, compliant; in fact she has VICTIM written all over her. And that’s all you get, since we learn nothing about her or why the young lady married this strange man she just met. Or why Valerie is from Switzerland and has a French-Canadian accent. 

Stefan (John Karlen) seems to be hiding something when he continually puts off telling his mother about their recent nuptials. He lives in an English manor, was raised in America, yet sports an accent of vague European origin. It works for his character, though, and manages to keep his Brooklynese at bay.

Now on to main event: the couple ends up being the only guests in an ominous, grand hotel in Ostend—until a vintage red sedan pulls up, building to one of my favorite entrances of all time: The Countess Elizabeth Bathory (Delphine Seyrig) who commandeers the film from the first glimpse of her ruby lips.

The countess is a mysterious, stylish Marlene Dietrich look-alike traveling with a pouty-lipped Louise Brooks clone, Ilona (Andrea Rau) whom she refers to as her “secretary.” Just two lonely ladies looking to make new friends and share a drink or two.

Seyrig’s performance is deliciously understated as she sets out to seduce the young couple—first the vampire gets Stefan off with descriptions of how she would brutalize and torture virgins in order to bathe in and drink their blood. Yes, Valerie, your husband has just been revealed as a very sick puppy.

Then Ilona hits on Valerie, Elizabeth hits on Valerie, Ilona hits on Stefan. Come on, folks, let’s just all rip off our clothes and jump in the pool.

But our lovely countess is the mistress of manipulation, and when she and Stefan butt heads over who gets to keep the victim, guess who wins. The husband is so unsettled at the prospect of calling his mother, he viciously lashes out at the conniving bitch who made him do it, driving her right into the arms of the consoling, honey-voiced vampire.

Worst honeymoon ever.


I can’t go further without mentioning the Mother scene, a compete WTF moment, and played over the top by Dutch filmmaker Fons Rademakers, who lives in an English manor and has a Castilian accent. Mother lounges on pink and lavender satin pillows, sniffs an orchid and chides his boy toy over the telephone for being foolish…or just unrealistic.

Oh, Mother, your time was too short. You are the stuff from which prequels are made.

About this time, the body count is starting to climb, resulting in three of the most camp, improbable death scenes in film history. First Ilona manages to stab herself in the back with a razor, Stefen ends up served under glass (ending in a picturesque, Jesus pose—is this symbolic?) and the countess goes the way of all vampires—on the stake…or does she?

At first glance, it seems Elizabeth met her doom and Valerie assumed the vampire’s persona in the epilogue, but the actress was dubbed with Seyrig’s voice, implying to me that the countess switched bodies at the last moment and survived to drink another day. You learn tricks like that when you’re 600 years old. I’m not sure which ending is better or which was the filmmaker’s intention.

 
This film is worth watching for the director’s stylistic surrealism, lots of eye candy and Delphine Seyrig’s outstanding performance. It’s also worth it to buy or rent the DVD just for the extras.

First is the commentary by Flemish director Harry Kümel who whines incessantly throughout the viewing. He chose to film in English, despite a mostly German and French cast speaking phonetically, and then complains about the girls’ acting. Karlen is too old and does not have enough “beefcake.” But he dotes on Delphine, who reassured him, “don’t worry, when I am on the screen, they will look at nothing else.”

This essay is one of dozens featured in our new
book, "Taste the Blood of Monster Serial."
Kümel also discusses his meticulous camera shots and can spout a lot of film history. And don’t forget the in-your-face symbolism. Deep blue and gray exteriors, everyone costumed in black, white and red. In every scene. Silly me, I thought it stood for death, innocence and blood, but no, they’re the colors of the Nazi flag.

Uh…okay.

To contrast, then listen to the commentary with actor John Karlen who reminisces mostly about getting to romp with gorgeous, naked women, eat outstanding ham sandwiches during a night shoot, and make the acquaintance of another actor who doubled in real life as gourmet chef, in addition to meeting Ouimet’s husband who owned restaurants, and staying for two weeks in Paris at Seyrig’s villa. Hopefully, those moments made up for the show down between Karlen and Kümel when the director slapped Danielle, who went crying to her costar. So, Karlen slugged him.

But let’s not end on an unhappy note. Here’s something to look for. In Ilona’s death sequence on the bathroom floor, you’ll notice the vampire has a tan line.

Marie Maginity is an actor, director, teacher and free-lance writer, living in Bucks County, PA, with one husband, two daughters and two cats. She is known in the Dark Shadows fanfiction world as Mad Margaret.

Thursday, May 15, 2014

Remembering MICHAEL MAITLAND (1956-2014)


By DAN HICKEY
(with Marie Maginity)

He was born Michael Walker, son of Scott Walker, TV and movie bad guy, featured in HIGH PLAINS DRIFTER, THE MUPPET MOVIE and other light classics. His mom, a former Broadway dancer and daughter of theatre critic Ward Morehouse, picked the stage name Michael Maitland from Sir Harry Maitland, an actor whom she admired.

I met Michael in college when he and I were two of 32 students accepted into the Acting Program at the State University of New York at Purchase in the fall of 1977.

"So, Michael, have you done much acting?"

 "Well, lately not so much, but, I did some stuff when I was a kid."

Maitland as leader of the Leviathans on DARK SHADOWS.
At which point he just casually rambled off a list of professional credits. Michael had played Hal Linden’s son in THE ROTHSCHILDS, and portrayed Patrick Dennis (not Dennis Patrick) in the original cast of MAME with Angela Lansbury. Oh, and some television work for a soap opera called DARK SHADOWS.

Needless to say, I was awestruck. Before the age of 21, this guy had accomplished more than what 95 percent of most actors did in their lifetimes. In comparison, my claim to fame was the starring role of Mortimer in ARSENIC AND OLD LACE at St. John’s Church in Yonkers.

The funniest story Mike ever told (and he told many) referred the time he had played Winthrop in a revival of THE MUSIC MAN at New York City Center. The production starred Bert Parks, best known as host for many years of the Miss America Pageant. Mike, however, was very familiar with the film version, so when he and his mother spotted Robert Preston on a Manhattan street, the boy recognized him immediately as Harold Hill, albeit the wrong one.

“Professor Hill! Professor Hill, hi, how are you?”  Mike ran up to the confused actor. “Don’t you remember me? I played Winthrop with you!”
Dan and Mike

But Preston just smiled and feigned recognition. “That's right, son, we did. And didn't we have a wonderful time?"

Mike and I stayed in touch after college. He did not continue to pursue the acting career which had served him so well as a boy. The big city is full of stories of child legends who did not successfully migrate to adult careers in show business, and Michael was one of them.

But Mike was not bitter; if he missed it, he never let on. He adjusted well to real life and established himself in the restaurant business, eventually becoming a banquet manager at a midtown Manhattan hotel.

His favorite pastime was softball in the Central Park leagues where opposing hitters learned quickly to not hit it to centerfield; he ran down everything in the park. And that's a big park.

Word about Michael's cancer started making the rounds about five years ago. At first my reaction was not to be overly concerned. After all, he was only in his early 50s; they’re making wonderful progress with these things nowadays. Time passed, and the truth dawned on me: Mike wasn’t going to make it.

Michael lasted much longer than anyone predicted, but he was in horrific pain. It had reached a point where I began to wish his pain would end. In January, I heard from a mutual friend that if I wanted to see Mike I'd better act fast.


The next day, I drove the roughly 180 miles to his facility in Rhinebeck, N.Y., preparing for the worst. To my great relief, however, he did not appear to be at death’s door — anything but. Mike looked like a guy who had just had his appendix out and was waiting for the doctor to say "go home." It was certainly not my mental image of an advanced cancer patient.

After an hour or so of conversation and laughs, Michael suggested we head down to a room with vending machines, tables and a TV. But we were barely through the door when he stopped me, out of breath.

“It's in my lungs now. I can't go any further."

I stayed for another couple of hours. When it was time to leave I hugged Mike and told him that I loved him, knowing I would never see my friend again.

As I walked down the hall, I was grateful that it was a Sunday evening with only a skeleton crew working the floor. Big boys don't like to be seen with tears in their eyes.

As I waited at the elevator, a young man caught up with me.

"I just wanted to tell you that I have never seen anyone handle something like this as well as Michael has."

The end finally came on April 23. His sisters were present at the hospice in upstate New York.

One of his sisters, Jackie Graves, is raising funds for a memorial bench in Central Park, where he loved playing softball so much.

A family member is raising funds for a memorial bench in Central Park in Maitland's name.

Dan Hickey and Marie Maginity performed together in a production of NIGHT OF THE IGUANA at South Camden Theatre Company. Marie played the role of Miss Fellowes, portrayed in the film by Grayson Hall. Dan played the Nazi father (of Marie’s real life daughter).

Monday, April 28, 2014

COLLINSPORT SHIPPING: Fanfiction For Dummies


By MARIE MAGINITY,
author of the Willie Loomis World Series and other DS fanfiction

"Fan fiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couch-bound consumers of media. The culture talks to them, and they talk back to the culture in its own language."
 — Lev Grossman, TIME, July 7, 2011

"Fan fiction can be seen as an unauthorized expansion of these media franchises into new directions which reflect the reader's desire to "fill in the gaps" they have discovered in the commercially produced material."
Henry Jenkins, Transmedia Storytelling 101, March 22, 2007

"I reject your reality and substitute my own."

Let’s get out the old I-Ching wands and travel back in time about 350,000 years to check out some pre-comic book drawings by a Neanderthal who calls himself cavedweller121. Neighbors quickly become engrossed in the adventures of his hunter/gatherer protagonists to the point where they will not allow the story to end. And so, the readers becomes the writers, and the saga continues to parts hitherto unforeseen by the original author.

Arthur Wellesley
So, where the term fanfiction is relatively new, the phenomenon is not. Long before copyrights, or even the printing press, stories were told and retold or acted out with little or no regard for the source material. The most famous early fanfiction writer who comes to mind is William Shakespeare, master of the redux. Although none of his works contain a disclaimer, the Bard almost exclusively stole borrowed plotlines and characters from history, mythology and other authors.

Chaucer wrote Troilus and Criseyde in the 1300s, Robert Henryson in the early 15th century imagined Troilus’ tragic fate in a continuation titled The Testament of Cresseid, and Shakespeare penned a dramatic alternate-universe version in 1602.

Fast forward a few hundred years to the young Bronte sisters, writing “real person” fanfiction about Sir Arthur Wellesley and his sons, Arthur and Charles, one of whom becomes the Duke of Zamorna, a superhero of sorts.

Napoleon/Tsar Alexander
And if you thought the first slash fiction dates to Captain Kirk and Mr. Spock, you are mistaken. Paintings and descriptions of romantic encounters surrounded Napoleon Bonaparte and Tsar Alexander I. They even appeared together in a thinly disguised passage in Tolstoy’s War and Peace.

In the 20th Century, Lewis Carroll’s Alice in Wonderland was subject to several unauthorized “parodies” and fans of Arthur Conan Doyle published the further adventures of Sherlock and Watson in early fanzine publications.

So, ain’t none of this new.

But modern fanfiction has undeniably advanced. We have a relatively new venue, namely the Internet, Fanfiction.net, Archive of Our Own, LiveJournal and Tumblr are all homes for fandom stories, and you can now read them anytime on your Android device, because there’s an app for that.

But you got to know the lingo, so here is handy dandy reference guide to Dark Shadows fanfiction:

ACTORFIC: A subdivision of Real Person Fic. A story centering around not a character, but the actor playing him. Within the realm of Dark Shadows, it is utilized most by preteen girls in fantasies involving Johnny Depp.

ANGST: A very popular genre of fanfic writing. Refers to a character who experiences fear, anxiety or is just plain depressed. He may whine or spend a lot of time feeling sorry for himself. There are a number of Canon characters who fit this description.

AU: Alternate Universe. This is the most commonly used genre in fanfiction. As opposed to a prequel or sequel, the author diverts from Canon and retells the story had the circumstances been different. Stand Fast and Damn the Devil by Osheen Nevoy is a tale of what might have happened had Bill Malloy not been murdered on Widow’s Hill that fateful night. In Eternally Bonded by The Creative Brewery, Barnabas and Josette are a cute vampire couple set loose in modern times.

AVATAR: aka Self Insertion. Often associated with a Mary Sue, the author inserts herself into the story, usually in order to become romantically involved with a Canon character.

BETA: An editor for fanfiction. A beta will proofread and review a story so the author may revise accordingly before posting for the general public. It is highly recommended to have one of these. Seriously.

CANON:
The plot guidelines established in the OS (original series).

CHARACTER DEATH: A warning that, within the story, a Canon character will die. But they have to really die, not just die and come back in the next chapter as a vampire, like a certain author did in Interlude.

CON: A header warning which indicates there will be scenes of consensual sex between (presumably) two characters. Heterosexual mating is indicated with F/M. Related terms include dubious or DUB CON (coerced sex) and NON CON (nonconsensual, or rape). I like to include a warning for nonconsensual bloodsucking when appropriate. See Trigger Warnings.

CRACK FIC: A story that is entirely pointless and utterly ridiculous. Characters are most often OOC and the author was probably high/drunk/on a sugar rush when they wrote it. Usually intended to be humorous. Usually isn’t.

CROSSOVER: A story combining two or more fandoms. Sometimes abbreviated as Xover. My favorite is still Leap into the Shadows, by TrudiRose, which mixes up Quantum Leap and Dark Shadows. Other popular crossovers have combined DS with the Addams Family, Harry Potter, Star Trek and Buffy the Vampire Slayer.

DISCLAIMER: You gotta put one at the beginning or end of every fanfic, saying something to the effect of I do not own Dark Shadows, which is a Dan Curtis Production, or any other copyrighted material contained herein.

DRABBLE: A self-contained fanfic of roughly 100 words. A half drabble is 50 words and a double drabble is 200 words. It can be used to describe any extremely short piece. Source of Evil by Yarol says it all in 100 words, and it is a must read.

FANON: Elements that are generally accepted by the fandom as being true but are neither confirmed nor denied by the official source material. Example: Barnabas is a terrible driver.

FEMSLASH: A lesbian pairing, which may be indicated in the header with F/F. For example, Josette dumps Barnabas for Angelique in Two Women in Love by Daryl Wor.

FLUFF: A work that is light-hearted or silly. Usually a one-shot. In Collinsport High, Vicki encountered some mean girls.

GEN or GENFIC: Fanfiction that would be rated G or PG. It contains no sexual situations or graphic violence and has little if any cursing.

HURT/COMFORT (h/c):  A term for stories in which a character is put through a traumatizing experience in order to be later comforted. In Deep Water by N.J. Nidiffer, Willie gets mugged by local thugs and (for a change) Barnabas puts on the Band Aids. The corresponding genre is HURT/NO COMFORT, in which no Band Aids are involved.

LEMON: Light the candles, pour some wine and get ready for some explicit sexual material. The Courage to Stand by mtinpa2005 fits that description and throws in lots of violence as well; aka ADULTFIC.

LIME: Some sexual material, but not quite as lemony.

MARY SUE: An original female character who is unrealistically perfect in every way, or otherwise badly conceived. It comes from a 1973 Star Trek zinefic titled A Trekkie’s Tale, starring Lt. Mary Sue, the youngest lieutenant in the fleet. It is sometimes associated with self insertion and carries negative connotations of wish fulfillment on the part of the author. The male counterpart is a GARY STU.

NOTP: No True Pairing. Your least favorite couple. The match made in hell.

OTP: One True Pairing. Your favorite couple. The match made in heaven.

ONE SHOT:
A single chapter story. In Drastic Measures, by neverwithoutyou, Dr. Hoffman gets rid of her rival, that pesky Angelique, once and for all. Julia is pretty bad-ass to be able to do that in just one chapter.

OC: Original Character. A character not in the original story but created by the fanfic author, i.e., Willie’s wife, Abigail, in the trilogy by Mina225 or the dozens of new faces in the Collinsport Chronicles by Maryland Rose. Variations include OFC (original female character) and OMC (original male character).

OOC - Out Of Character: A term used when a character acts in a way that does not fit with the source material. Example: Vicki understands something, Roger turns down a drink, or Willie uses good judgment.

PLOT BUNNY: An idea that sticks in a writer’s head and will not go away until it is put to paper or screen.

PRE-SERIES: A prequel to the original storyline. Legacy of Shadows: Symphony of Terror by jeuxsansfrontieres takes place in 1927 with 12-year-old Elizabeth and four-year-old Roger Collins. Likewise, a CONTINUATION picks up after the series ended. For instance, Julia marries Barnabas, they produce a hoard of bloodsucking doctors who experiment on themselves, and live happily ever after. A need for closure is often the motivation here. 

POV: Point of View, like when Adam ponders his feelings for Carolyn in Poetry in Motion by Magical Irish Dolphin.

PWP: Porn Without Plot, or “Plot? What Plot?” Often a series of sexually oriented vignettes with no discernable storyline.

RL: Real Life. That thing you have to do between fanfictions.

ROUND ROBIN: A fanfiction written by more than one author; they take turns writing chapters. A kind of Who’s Line is it Anyway? improv game for writers, except that Drew Carey will not be there to buzz you out.

SHIPPING: Derived from the word “relationship,” the writer plays matchmaker for her favorite couple who may or may not have hooked up in the original story. Popular DS examples are Barnabas/Julia and Willie/Maggie. Phrases such as “set the ship to sail” and “watch the ship sink” are common.

SIDE FIC aka DIVERSION: Usually a one-shot which takes place during another story from someone else’s POV. It may also fill the gap between scenes in the original source material. In The Earrings Diversion by Sylvia Bond, Barnabas discovers the missing earrings were actually given to Maggie.

SLASH: A homosexual pairing. Fluffybeaumont has written several non-explicit fics, including Gone to Sea which teams Nathan Forbes and Rev. Trask. The Devil You Know by Kirasmommie is X-rated and well written, if you overlook the misspelling of Carolyn’s name.

SPOILER: Something which may appear in the synopsis or text which gives away the ending or plot twist. It is best to proceed these comments with the warning SPOILER ALERT.

SQUICK: Something you find upsetting, disturbing or totally grosses you out. Some people find adultfic, excessive violence or bad language squicky. Others might be repulsed by an unsightly pairing, such as the aged Barnabas and just about anyone.

TROLL: A person who sows discord on the Internet by posting inflammatory, rude, or off-topic comments called FLAMES. If you “feed the troll” by responding, it may result in a FLAME WAR. Readers who frequent a certain DS Facebook fanpage may have recently seen one on the topic of fanfiction.

TW: Trigger Warning. A heads-up to readers of potentially squicky elements, such as abuse, rape and other uncomfortable situations.

UST: Header warning for Unresolved Sexual Tension.

WAFF: Warm and Fuzzy Feeling. A “feel good” story. Try Easter at the Old House by KatieYoung1960. Spoiler alert: chocolate bunnies are involved.

ZINE: A soft cover bound collection of stories dedicated to a particular fandom. Fanzine popularity decreased significantly with the corresponding rise of fast and free fanfiction on the Internet. The nice thing about zines: They were more carefully edited than their modern counterparts.

***

So, if you have a plot bunny in your head, go churn out a waffy one-shot of lemon fluff with the OTP you ship most.

But, even if you are not inspired to make your own contribution, read and enjoy the many and varied offerings of fanfic writers around the world as they celebrate their favorite Gothic TV soap opera and help keep its spirit alive.

Don’t forget to tip your author, which means leave a comment or review when possible. Think of them as a bartender who isn’t charging you for drinks.


Marie Maginity is the author of the six-part Willie Loomis World Series, and writes under the names Mad Margaret and Lizzie Bathory. She has a BA in Theatre and works as a professional actor, director and drama teacher. She has had many “straight” jobs, including bartender, gas station jockey, graphic artist, website designer, facepainter and film projectionist. Once, she bullshitted her way into a newspaper job as a reporter and, over the next eight years, became a copy editor, feature writer and assistant editor. She lives in the suburbs of Philadelphia with one husband, two daughters and two cats.

Tuesday, December 31, 2013

COLLINSPORT SHIPPING: The Chronic Chronicles


By MARIE MAGINITY,
author of the Willie Loomis World Series and other DS fanfiction

The Collinsport Chronicles is a 51-part series with more meticulous, concurrent storylines than a soap opera, brought to screen and paper by the highly imaginative Adriana Pena under the pen name Maryland Rose. When I refer to it in my title as chronic, I don’t mean to imply it is disease ridden, but refer to the definition “pertaining to a long-lasting condition.” Then again, Urban Dictionary also defines the word as “very high-quality weed, generally with red hairs on it,” but, to the best of my knowledge, this does not apply.

She has published short stories in fanzines under her real name, using Maryland Rose only for the humor pieces. In one, Barnabas transforms Rosanne Rosannadanna into Josette. In another offering, Carl Collins haunts Barnabas and Quentin every April Fools’ Day, subjecting them to all sorts of practical jokes. She gives credit for the original idea to Geoffrey Hamell, a prominent DS fan and fiction writer in the 1980s.

Adriana Pena was born in Argentina. She lived and studied there until age 20, when her family fled after the overthrow of President Illia in 1966. Rebels took over the University of Buenos Aires, where her parents worked, as an excuse to cleanse it of “Communism.” They beat students and professors in what was called the “Night of the Long Sticks.” Although the Penas were not present at the atrocity, they made an understandably hasty exit at the first opportunity.

The experience left an indelible impression on the young woman and gave her an interesting slant on life.

“Even if you have nothing to do with politics, politics would have its way with you anyway. A lot of what I learned [during that time] ended up in my fiction, in one way or another. While, for many, DARK SHADOWS is an escape from reality, in fact, it is a way of talking about reality in metaphoric ways, so that it will be easier to handle.”

Adriana watched the series in its original run, though not from the very beginning, because she arrived in the US in 1968 and, for a while, her ABC affiliate would not transmit it. I wonder if the station manager was named Trask.

I asked Ms. Pena, as I do every author, how did she get hooked on DS and what inspired her to start writing about it?

“I was fascinated by it; it resonated in more ways than one. During its final year, though, I became an irregular viewer. I had strong views about what [the show] meant and how it should go, and it made me mad when the writers did not follow my wishes.”

This is a common theme among fan fiction writers — I call them the revisionists; they include the writers of alternate universe and single POV stories. Others are supplementalists (a word I just invented), who indulge in prequels and sequels. Third (and last) are the recyclers, who simply retell the original story, presumably for some cathartic purpose and to relive it vicariously through their keyboards. Some authors (such as I) fall into all three categories, so I shall reserve judgment.

“The 1840 sequence was a retread; they lost out on a lot of wonderful opportunities. Also, there were awful continuity problems with so much time travel. For instance, Quentin's staircase went through dimensions as well as time (there were a few bugs in the system), so that both the 1840 and the 1897 events do not clash — Grandma Edith is alive and Quentin I dies without issue, so that Gabriel's children inherit, and thus we have Gabriel's descendants instead of Quentin's in 1897.”

When the television series ended, Adriana resigned herself to move on and turned her attentions to reading fantasy and science fiction. After living in Pennsylvania, she moved to Texas for a spell. During that time she had the privilege of seeing Jonathan Frid perform as Lionel Barrymore in THE ROYAL FAMILY, and again visions of DARK SHADOWS danced in her head.

“I started obsessing over it, and began to wonder: It has been over ten years; what are they doing now in Collinsport? So the Chronicles began. I wrote a short story where I set out what I thought might happen.

“Barnabas was an irritating, undead Felix Unger. Angelique and Barnabas lived together, but she realized that Barnabas had collected so many scars and neuroses along the way, that he was no longer the man she fell in love with — that, in fact, he had become insufferable.

“Barnabas’ and Julia's relationship reached a rupture point when he took to reading her textbooks. During those long, boring nights alone, he read anything he can get his hands on — and started telling her how to run her practice. Later I explore what happens when Barnabas runs out of money and needs a job.

“Carolyn became a real bitch after Elizabeth went cougar and stole her fiancé.

“Maggie became a U.S. Representative. Later I realized that this allowed me to defuse the problem of Maggie remembering what Barnabas did to her. She remembers alright, but what concerns her most is that no one learns of her time in an insane asylum. That means no mention at all of what happened in 1967, or she will deep-six you.”

And that’s just the first story. It was basically a one-shot, she told herself, just for a bit of fun. Meanwhile, Adriana discovered fanzines and subscribed to The World of Dark Shadows (TWODS), and started on her first sequel.

“If Barnabas was a Felix Unger type, where was Oscar Madison? So an original character, Elmer Urrey/Derek Pearce, was born. I was inspired by an Odd Couple episode in which Felix gives money to Oscar to buy a burial plot, and Oscar puts the money on a horse that cannot lose, but does anyway.”

If it takes place at a racetrack, sounds to me like a role for John Karlen.

Perhaps the word chronic is appropriate because it is so often associated with long-lasting disease. That’s one way to describe why we addicts feel compelled to churn out sequel after sequel. This is the last one, I swear; I won’t write any more — after the one after this. Seriously, we need some sort of 12-Step Program. My one-shot prequel is now gestating #7, and I can picture myself at age 90-something, writing triple-digit stories about my equally ancient protagonist.

Thus, Adriana’s second story begat a third, which couldn’t be helped because #2 ended on a cliffhanger. A fourth followed, and the rest, as they say, is history. Ms. Pena went on to establish herself as one of the most prolific writers of DS fanfiction.

“I went into a routine, writing 30 lines a day by hand. When the rough draft was finished, I put it aside for a month while I continued with the next installment. Then I would revisit the original and make a coherent story out of it (and, knowing what would happen next, adjust as necessary). This would be followed by another month in storage, revision into a final ‘clean’ copy, and put it out for publishing.

“I attempted to copyright the works, but U.S. Copyright Office rejected them, saying they wanted the best edition. I told them those pages (with holes punched and construction paper covers assembled in my bedroom) were the best edition. I had to state that it was derivative work, and I used someone else's characters and plots, but added new stuff.

“Other stories were published in TWODS, and I know that a lot of people loved them. I became a member of the Kathy Resch stable of fanfic writers. Meanwhile, I was creating the Chronicles in my bedroom, “sold” them through ads in various fanzines, and delivering the goods via U.S. Postal Service. There was no profit; it was a labor of love.

“After a total of 51 Chronicles, I decided I wanted my life back. So I did the only thing that could allow that to happen, and killed off Barnabas. After that, my life got interesting, as I lost my job during the Bush I Recession, went into business for myself and ended up in bankruptcy court.”

I hope this was not Karma biting Ms. Pena in the ass for killing off Barnabas.

“I returned to Pennsylvania, moved back in with my parents and, after a couple of years of working as a programmer, they presented me with a proposition: I could stay with them, take care of them in their old age, and then I would keep the house — and that’s what happened. The master copies of the Chronicles came back with me, and stayed in their box for many years. I kept saying, One day I have to get them out and do something with them.

“In 2012, Jonathan Frid died, and once more, it all came back to me. I began to contact old friends on Facebook and decided it was time to put those Chronicles on the web. It took me a whole year, and I was surprised at some of the things I had written. Tweaks were necessary, some minor (having to do with pacing and redundancies); some major (Vicky had to be cured of the I am secretly a princess fantasy). But after so many years, I had been cured of some delusions too.

“I had quite a bit of feedback back in the eighties. People loved it, since the plots were getting weirder and weirder. Someone commented how great it was to see the Three Stooges in Collinsport. They referred to Quentin, Sebastian and Adam, who had tried to use the hand of Count Petofi to disguise themselves, and ended up looking like Curly Larry and Moe.”

The Chronicles saw the introduction of many original characters into the lives of the ones we all know.

•    Iris, (who dates Barnabas briefly), Violet (her disturbed sister) and Peter (her nephew)
•    Frank Torrance, a DC bureaucrat who gets Barnabas a government job and has a fling with Angelique.  
•    George Brant, the new sheriff in town
•    Elmer Urrey/Derek Pearce, the Oscar to Barney’s Felix — chased by the Mob, tries to fix horse races through vampirism
•    Old Munsungan, Harry Redwolf and the Indian tribe.
•    Kenneth Anderson (Julia's husband) and daughter, Gretchen.
•    Kira Petofi
•    Tammy Innes, who turns out to be Barnabas’ great-great-great-great-granddaughter; she calls him honky
•    Delia Harding, a hospital nurse with a taste for S&M.
•    Frances Jackson, another nurse. Barnabas saves her life after a suicide attempt
•    Louella Loomis (Willie's wife), Pearl (their daughter) and Robert Loomis (Willie's father)
•    Xavier Davenport
•    Alma Quarles (the innkeeper) and daughter Alma (the reincarnation of Sarah)
•    Jake, who works at Wyndecliffe.
•    Captain Todd, Sergeant Haskell, Doctor Blair and Victoria Collins (Chris Collins' wife)
•    Edmund, son of Quentin and Maggie
•    Sandy and Herbert Miller, a local couple, hostile to the supernatural community until…
•    Oriana Falchi, a reporter who has a fling with Barnabas.
•    Priscilla Collins, the ghost of Barnabas' first wife
•    Anselm Trask, the white sheep of the Trask family
•    Zeb and Jessica King, who run the local VD clinic. They hunt for Barnabas because Quentin has been using his name when picking up girls in bars.
•    Dr. Siegfried Verhoff (a friend of Freud, specializes in vampire children) and Cecily (a vampire child)
•    Richard Zimmerman, Julia’s cousin. A Holocaust survivor who became a vampire while running from the Nazis
•    Yolanda Overton, Sky Rumsen's niece
•    Urien Yost, a street urchin adopted by Barnabas and George
•    Zoya Zalisky, a gypsy who later becomes a phoenix

Now, everyone pull up a session of Notepad, because there’s going to be a pop quiz. In addition to keeping track of enough characters to populate a small town, Adriana goes to great lengths to develop every idea to its fullest potential.

“I am from the Three Stooges School, that is to say, no story is finished until the maximum amount of catastrophe can be extracted from it. Often the [original] writers did not realize what they had in their hands and were fumbling, which is what happens when you are churning out scripts daily; there is no chance to develop interesting sidelines. So I grabbed up all those tantalizing bits and pieces and tried to make sense of them.

“For instance, Quentin: the portrait keeps him young by preventing changes, but that includes mental changes too. In other words, Quentin has not learned one damn thing ever since his portrait was painted — perfectly logical when you think of it.

“I did not like to have the ‘normal’ characters sidelined. After all, Roger was supposed to be a chief troublemaker, but got demoted to saying witty things, brandy in hand. I restored both he and son David to their troublemaker status.  Had the writers kept to their original concept, when David discovers Barnabas’ coffin, he would not tell the adults, but rig an incendiary device to it. If I was to make a remake of DS myself, I would have Barnabas discover that he is the sane one of his family.

“I do not buy into that mindset that evil only comes in supernatural form, and that normal people are just innocent bystanders. Human capacity for mischief is unlimited, and a supernatural creature that forgets that may have a very rude awakening, which is why Elmer/Derek runs scared when the Mob is after him. The Mob might not know how to kill a vampire, but Elmer is not hanging around until they figure it out.

“I do not agree with the need to keep reality at a distance, though that was part of the original charm; you lose a lot of stories that way. There were Indian tribes in Maine, which made for a great storyline. The black descendant of Barnabas brings in the slave trade. Don’t forget the French Revolution. It always irritated me that they sent Josette to Paris to go shopping in 1794 when Robespierre was cutting off heads right and left. You ignore it and you lose great stories about tumbrels going to the guillotine, knitting ladies, and the Scarlet Pimpernel. If there is ever a DS remake, the 1795 storyline should be moved to 1785, when King Louis is still on his throne.

“As the 1960s were a cusp for a change of attitude, the goal should not be for Barnabas to be cured, but to learn to cope with his condition and become a fact of life that people can live with. After all, at this time, there were still some light-skinned blacks who wanted to pass as white.  There were also a lot of gays hiding in closets or submitting themselves to therapies that would make Dr. Lang seem sensible in comparison. So, given the change in attitudes, I decided that Barnabas should not adapt but demand acceptance. Of course, if he keeps feeding on different victims, soon there will be more people who know than people who don't, until someone says ‘Barnabas Collins is a vampire,’ and the answer is, ‘Oh, you noticed?’"

Give that man a picket sign that reads I’m dead, Blood’s red, Get over it.

The author chose to set her stories 10 years after the end of the series, in order to implement those changes. One excellent choice was the resurrection of Megan Todd as a strong, competent, yet gorgeous woman. When Barnabas employs his knack for making dippy decisions, she reminds him that vampirism is no excuse for stupidity.

For me, Adriana’s works are an amusement park fun-house ride. They fly this way and that, whip around corners and everywhere you look, some new, often totally outrageous (but not illogical) thing is popping up — sea monsters, mermaids, Sigmund Freud, a take-off on Casablanca, old-school sorcerers or Laura commanding an army of salamanders. Salamanders?

Why not? The possibilities are limited only by one’s imagination.


Marie Maginity is the author of the six-part Willie Loomis World Series, and writes under the names Mad Margaret and Lizzie Bathory. She has a BA in Theatre and works as a professional actor, director and drama teacher. She has had many “straight” jobs, including bartender, gas station jockey, graphic artist, website designer, facepainter and film projectionist. Once, she bullshitted her way into a newspaper job as a reporter and, over the next eight years, became a copy editor, feature writer and assistant editor. She lives in the suburbs of Philadelphia with one husband, two daughters and two cats.
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