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Showing posts with label Joseph Lidster. Show all posts
Showing posts with label Joseph Lidster. Show all posts

Monday, November 5, 2018

Dark Shadows: Bloodlust - The Post Mortem Interview



BY JUSTIN PARTRIDGE

Our coverage of the epic re-release of Dark Shadows: Bloodlust might have wrapped up, but I still had a few lingering questions about the sprawling tale. Luckily, I was able to sit down with the impossibly nice and wildly talented Joe Lidster and get him to answer some of them! I figured with him being one of the company’s most prolific writers and directors he would at least have SOMETHING to say. Thankfully I was right! We talked about all sorts of great stuff, including the production of Bloodlust, the wonderful cast and characters of the franchise, and what we can expect from the upcoming sequel series Dark Shadows: Bloodline.

The Collinsport Historical Society: Just to start, how did Bloodlust come about? Was there a want on the production side to do more larger scale stories?

Joseph Lidster: It was a combination of things really. Stuart Manning decided to step down from producing the full cast series so we knew we wanted to do something to follow on from Kingdom of the Dead. David Darlington, my co-producer (the one who makes it all happen, basically) was very keen to do something that would re-capture the serial aspect of the television series and I was very keen to do something that didn’t just follow on from the cliffhanger at the end of Kingdom. There was a five-year gap between the two series and we’d spent a lot of time on the Dramatic Readings range trying to find ways to make the series more newbie-friendly so we didn’t just want the opening scene to be Carolyn and David in Collinwood possessed by Petofi. I also wanted to give the series lots of “wow” moments. If you know Dark Shadows then you know who the characters are but if you don’t then I wanted each of the supernatural characters to have a big entrance and so on. The House of Despair through to Kingdom of the Dead had lots of brilliant stuff in them but they kind of assumed you knew who everyone was and why the stuff that happened was important. I wanted to strip it right back - in a similar way to when Russell T. Davies brought back Doctor Who- so it was both a relaunch as well as a continuation. David’s idea of doing this as a 13-episode serial fitted with that perfectly so that’s what we pitched to Big Finish.

CHS: How did you go about choosing the characters that would be included?

J.L.: We knew we had to have the characters who were still there at the end of Kingdom of the Dead. So we had to have Isaiah Trask, David, Carolyn, Maggie Evans, Ed Griffin and his mother, Jessica. Although Quentin, Barnabas and Angelique had all been sent away at the end of Kingdom there was no way we wouldn’t be bringing them back. The main character we did bring back was Amy Jennings. We’d re-introduced her into the Dramatic Readings’ range and we’d fallen in love with Stephanie Ellyne who played her. We also wanted to create a “next generation” of the Collins family so we worked out that Amy was the character we could do this with. The 2003 audio Return to Collinwood had made it pretty clear that neither David or Carolyn had had children so we worked out how Amy could bring us some teenage characters. Soap operas rely on there being more than one generation but Dark Shadows - through a combination of the last couple of years of the television series being more about Barnabas and Julia travelling through time etc and Return to Collinwood being a reunion special rather than setting up new storylines - had stagnated with regards to continuing the present-day Collins’ family. We worked out that Amy was just old enough to have a baby and that if she was married then she could have a step-son. We quickly worked out that we wanted the husband to be killed off so she wasn’t tied to a man and that we could find some supernatural way to age up her baby so we’d have a nice family unit.

We then looked at exploring Collinsport some more. We wanted it to feel like a proper serial drama - with different family units in different locations in the community. As research, we watched how a lot of first episodes of soap operas did this, as well as watching the first episode of Twin Peaks - which was obviously a big influence on Bloodlust. We decided that we wanted to focus on the community and build up the supernatural elements so they felt big, so we created the Blue Whale group - Jess and her son Ed. We moved Trask into being a drunk who was often at the Blue Whale and brought back Ed’s wife Susan, as a ghost. We knew we wanted to look at how a murder affects a community so we knew we wanted to bring in a regular Sheriff, a doctor at the hospital, the editor of the Collinsport Star and so on. We wanted there to be a new everyman character - the new Joe Haskell - so created Frankie who also served as giving the editor of the newspaper a boyfriend. We also used Frankie to give Ed a friend as I’d always found his character to be a bit one-dimensional and non-sympathetic. We looked at the characters we could give children to and decided on the Sheriff and the Doctor. By doing all this, we could create a community of different generations living in different locations who would gradually start to interact with each other. It was actually quite a scientific process. One of the things I’m proudest of with Bloodlust is that I think it feels natural rather than extensively plotted but every character was designed to fulfil a specific purpose. There were a lot of Excel spreadsheets working out their interactions and what purpose they served.

One character I personally had to fight for was Kate Ripperton. I adore working with Asta Parry and felt she’d given an amazing performance in Beyond The Grave. Kate was pretty much the one character in that story who didn’t really get any kind of closure. The rest of the writing team were - quite rightly - worried about bringing back a character with so much baggage but I fought for her and I do think the character really works. Frankie was a hard character to get right, though, because when we were writing him, he was just coming across as nice and dull. I then remembered Roger Carvalho and realised he’d be perfect for the role so I sent his showreel to the other writers and said “This is Frankie” and we went through his dialogue and made it much more in Roger’s voice. Roger also meant we increased the number of people of colour in the series which I felt was very important. I also wanted there to be some out gay characters because I think representation is so important.

The original idea we had was that we would tell some kind of murder mystery and that it would all be a smoke-screen for what David and Carolyn were doing. We also knew that we wanted the series to open with a new character arriving in town and we would discover the characters and locations through them - as they did in Episode One of the television series. We decided that we’d open with Amy and her family arriving in town as she would have been away for ten years. We then started to work out who the murder victim would be and we kept coming back to Amy. The character you think is going to be the main character is the one who gets killed off at the end of episode one. But… we loved Amy. We loved Stephanie. We didn’t want to kill her off. Hence, the creation of Melody Devereux - who is so blatantly a Victoria Winters-type character. Melody arrives in town and then she becomes the victim. Then, episode two could open with Amy arriving in town.

With regards to making the characters more “wow” we then moved Angelique into a whispering cave because, again, I didn’t just want to cut to her in a house muttering about wanting revenge. It was all about building interesting soundscapes, making the supernatural characters seem big and exciting again, and creating a community that the listener would become invested in.

CHS:  Where there any characters that you wanted to include that you couldn't fit in?

J.L.:  I can’t think of any in particular. We didn’t want to bring back Cyrus and Sabrina at that point as they wouldn’t really have fulfilled a role in the series and we knew every character had to have a reason to be there. In fact, that’s why we killed off Isaiah Trask. We knew that Melody, Andrew and Deputy Eric would die (Melody would be our Laura Palmer, Andrew would be a baddie and his death would make the character of Amy stronger, and Eric was… cannon fodder). We pretty quickly decided that Kate and Frankie wouldn’t be long for this world as they were perfect “everyman” characters to kill off. Isaiah’s death wasn’t planned at all. We hadn’t fully worked out where he would go - in fact, I think the Excel spreadsheets for the later episodes pretty much had “Isaiah helps Angelique or something”. I was writing the episode and just found myself thinking “He’s served his purpose to the plot… he could just get shot now?” and I just wrote the scene and sent it to the others and they loved it. So sudden and shocking. I had also found the character slightly woolly - was he a Trask? Was he born there? Who were his family? Obviously, Jerry Lacy is an amazing actor so I knew we would bring him back in some way but that particular character just felt like he no longer had a function, now that we knew who the woman in the whispering cave was and so on. His death also served to highlight the madness that was engulfing the town.

CHS:  What was the discussion of how this particular story fit into the Big Finish mythos, or as I like to call it the Big Finishverse, like?

J.L.:  There wasn’t that much discussion really. We knew it would follow on from our Dramatic Readings and from Kingdom of the Dead and we knew that it was set roughly twenty years before Return to Collinwood. I’ve now got a huge a timeline of “things that need to be done.” So, the two “things that needed to be done” in this were to write out Angelique and to wipe Maggie’s memory of the supernatural. In the Dramatic Reading Path of Fate, Angelique is said to have lived in a cottage in the woods for ten years (c1993) and Maggie, in Return To Collinwood, has no knowledge of the supernatural at all. I also wanted to write out Angelique because I felt, in the previous full cast audios, she had become an easy way to end stories - she’s so powerful that basically she could just do a spell and that’s the problem resolved. Also, with Maggie, in Return to Collinwood it’s stated that Joe died ten years before after being happily married to Maggie - so we knew we wanted to get her out of town so she the marriage could take place and they could have a few years happy together. So, yeah, lots of continuity stuff that hopefully doesn’t feel too plotted.

CHS:  What was the hardest part to write for you? Was there as particular scene or episode that proved a tough nut to crack?

J.L.:  The hardest scenes to write usually involved the deaths of characters. We fell in love with Kate and Frankie and it would have been so easy for us to change our minds and let them live. Also, Andrew’s death was incredibly difficult because we couldn’t have too much time pass before the next episode and the plot had to keep going but we also had a teenage boy losing his father - so we really had to keep that in mind with Harry’s scenes. He couldn’t just forget his father had died but, at the same time, we couldn’t really spend too much time exploring the grief process. Anything involving the Petofi storyline was also difficult because we knew that - for new listeners - the character and his backstory would be new information, so we had to find ways to make him relevant to our characters rather than just “here’s an old villain from the TV series” - so the book about him came from Michael’s university days with Amy and Carolyn and so on.

Technically, possibly the hardest thing to do was to ensure that Barnabas was there as a character. He’s a vampire so can only be up and about at night, so we had to find ways to move time on so that episodes would quickly be set after dark - but it’s tricky to resolve an exciting cliffhanger by the next episode cutting to the following evening and having characters talk about what happened. One of the later episodes has David and Amy talking and he’s doing a spell so she doesn’t realise how much time has passed just so that we can quickly get to night and have Barnabas join in!

CHS:  I see that you are also directing some of these stories. Tell me about the transition from writer to director.

J.L.:  I’ve been directing for a while, really. It came about just because it was convenient really. So, with the Dramatic Readings, I would come in and just guide the actors while David (Darlington) does all of the technical stuff. It then became much more important with Bloodlust because it was so complicated and so few of the actors recorded at the same time, so my main job was just make sure everything fitted together performance-wise. And I think it does so I’m happy with that! Frankly, with actors as good as what we have there’s very little direction needed.

CHS- Were you pleased with the reaction to the story?

J.L.: We were so so thrilled. The way the story was released - two episodes a week - meant that people really got into trying to work out who the killer was. Everyone was talking on forums about the various clues and so on. It was really exciting to watch that unfold over the weeks it was released. And yeah, it seems to have really clicked with the audience. To this day, we still have people telling us how exciting it was and how well the series works. Which is nice!

CHS: Were you a fan of the show before getting the job?

J.L.: I became a fan through working on it, really. Stuart Manning introduced me to the show and I started to fall in love with it. I then wrote an audio for him and fell in love with it a bit more. Then I started producing the series and began to really realise just how glorious Dark Shadows is. It’s genuinely something so different to anything else there’s ever been on television and it’s genuinely a huge honour to be involved in keeping the series going. To actually have some control over the fates of these amazing characters is just really weird and brilliant.

CHS: Team Barnabas or Team Quentin? Or other?

J.L.: Oh, well I started with the 1897 storyline so it was all about tall, evil, silent, sexy Quentin so he’s always going to be my first love but they’re both just brilliant. But, genuinely, I’ve fallen in love with all the characters. It’s an over-used word these days but I think 90% of the characters in Dark Shadows are iconic - often because of the actors playing them.

CHS: Finally, is there anything you can tell us about Bloodline? And if not, is there a dollar amount you will take in order TO tell us something about Bloodline?

J.L.: Ha! Well, we’ve announced that it’s about the wedding of Amy and David and that whereas Bloodlust was a story about a mystery, this is a mystery about a story. What else can I tell you? I let slip at a Big Finish convention yesterday that Jessica Griffin and Sheriff Rhonda are back. This time next week we’ll have completed the UK recording - our final session is with two new actors playing the new characters of Bonnie and Jamie. Chris Pennock has revealed that he is back - which I’m SO happy with so… new fact - a character will be born who will have a huge influence on the town.

Dark Shadows: Bloodline releases in April of 2019, but is available for pre-order now, while Bloodlust, and all the other deliciously evil stories mentioned here, are available now in both digital and physical formats at BigFinish.com

Thursday, July 27, 2017

Dark Shadows: Blood & Fire named best audio of the year

UPDATE: The DARK SHADOWS audio "Blood & Fire" is now on sale at Big Finish for 50% off. You can find the sale at https://www.bigfinish.com/news/v/dark-shadows---blood-and-fire-scribe-award-winner.

Original story follows:

The 50th anniversary DARK SHADOWS audio "Blood & Fire" was named "Best Audio" of 2016 by the SCRIBE Awards.

The Scribe Awards are presented by the International Association of Media Tie-In Writers to recognize licensed works that "tie in" with other media such as television, movies, gaming or comic books. This year's winners were announced last weekend at San Diego Comic-Con.

Released last summer in time for the DARK SHADOWS 50th anniversary celebration in Tarrytown, New York, "Blood & Fire" reveals how Laura Murdoch Stockbridge first came to plague the Collins family, and how a battle between her and the witch Angelique almost derailed the entire line. The double-length installment features an impressive cross section of actors representing much of the DARK SHADOWS legacy, including a return by one-time "Victoria Winters" Joanna Going.

"Blood & Fire" was written by Roy Gill, who previously penned the DARK SHADOWS audio "Panic." You can read my thoughts on "Blood & Fire" HERE. (TL;DR - I thought it was excellent.)

Gill faced stiff competition in this year's SCRIBE awards, as well. "Blood & Fire" was competing against a DOCTOR WHO audio, "Mouthless," and two TORCHWOOD tales, "Uncanny Valley" and "Broken," the latter of which was written by our own Joseph Lidster.

You can get "Blood & Fire" on CD or MP3 directly from Big Finish HERE, or on CD from Amazon HERE.


Monday, May 8, 2017

Dark Shadows: Blood & Fire nominated for a Scribe award

The DARK SHADOWS audiodrama, "Blood & Fire," has been nominated for Best Audio in this year's Scribe Awards.

The Scribe Awards are presented by the International Association of Media Tie-In Writers to recognize licensed works that "tie in" with other media such as television, movies, gaming, or comic books. Unsurprisingly, Big Finish pretty much owns the audio category this year. "Blood & Fire," written by Roy Gill, is against a pair of TORCHWOOD audios, "Broken" (written by DARK SHADOWS line producer Joseph Lidster) and "Uncanny Valley" by David Llewelly,  and the DOCTOR WHO tale "Mouthless Dead" by John Pritchard.

The Scribe Award winners will be announced at ComicCon San Diego in July. You can read the CHS review of "Blood & Fire" HERE.

Viahttp://iamtw.org/the-scribe-awards/scribe-award-nominees/.

Tuesday, June 21, 2016

Dark Shadows: A 50th Anniversary Appreciation



By JOSEPH LIDSTER

Dark Shadows is such a huge part of my life that it seems strange to think that just a few years ago I’d never even heard of it.

In 2006, my then-flatmate Stuart Manning told me how he had been approved by Big Finish Productions to produce a series of audios based on some old television series Dark Shadows. I congratulated him but had absolutely no idea what he was talking about. I listened to those first few releases and enjoyed them even if I was unsure as to who the characters in it were. I got the basics and enjoyed the atmosphere so I asked to watch episode one of the TV series. And… I didn’t get it. I’ve since gone back and watched it and I think it’s a genuinely brilliant piece of television but back then I just must not have been in the right mood. A while later I asked him to show me an episode that was a bit more… fun. Maybe in colour? He showed me Episode 701.

And it’s no exaggeration to say that it changed my life. I loved it. All I needed to know was that this vampire Barnabas had gone back in time to stop this guy Quentin from becoming an evil ghost (which is already a plot summary every television series should be aiming for). Magda and Sandor were amazing. I instantly fell in love with Quentin. I loved Judith and Edward. I especially loved Edward’s moustache acting. And so we kept watching. Night after night. And now, ten years later, I’ve nearly seen all of the TV series once and more than half of it twice.

I think the joy of Dark Shadows is that the imagination behind it is astonishing. They never play it safe. Actors play more than one role (sometimes in the same episode). What are we going to do with Quentin so he’s not a ghost? Let’s make him a werewolf! No, let’s make him immortal! Let’s do both! And give him a girlfriend who’s actually a painting come to life? Yeah! Bit bored of 1897 now… No problem, we’ll send Barnabas back to the present day… but we’ll do Invasion of the Bodysnatchers while we’re there! But won’t we still be trying to find out if that bloke really is Quentin? Don’t worry, Julia can cope with more than one storyline at the same time! Bit bored of the current set-up? We’ll open an upstairs door and reveal a parallel universe in the next room. Should we just go through the door? No, we’ll finish off these storylines (remember, we still need to find and get rid of ex-antiques shop owner, Leviathan possessed vampire Megan Todd) but we’ll have characters watch the beginnings of the parallel universe storyline over a few episodes before stepping through…

Scott Haran as Harry Cunningham, Walles Hamonde as Cody Hill, Alexandra Donnachie as Jacqueline Tate and Michael Shon as Tom Cunningham
It’s just brilliant. But obviously it couldn’t last. I sometimes dream about there being a modern-day television version of Dark Shadows but I’m just not sure it could work. Executives would be worried about confusing the audience. People would expect higher production values. (My attitude is sod production values - look at Joan Bennett having a whale of a time playing an evil possessed Elizabeth or Nancy Barrett playing Charity Trask possessed by Pansy Faye! Who cares if there’s a boom in shot?) You just wouldn’t get a performance like Grayson Hall as Julia Hoffman on television today. I quite enjoy the 90s remake of Dark Shadows but it’s not the same. I think the problem is it feels like lots of other television shows in a way that the original doesn’t. The original is a unique, brilliant, bonkers thing and I adore it.

These days, I’m co-producing the audio continuation of that bonkers thing. It’s honestly the best (and hardest) job. I don’t think we could ever hope to quite match the television series but I know we try our hardest to. We’ve continued the storylines of various characters and we’ve moved things on and I think we’re doing rather okay actually. However, I think the one time we’ve come closest to matching the craziness of the television series was when we were devising our miniseries Bloodlust. We’d featured the character of Amy Jennings in our 1970s set stories and we wanted to bring her into the main 1980s set series. We also wanted to bring some more teenagers into the ongoing stories. We created a Sheriff and gave her a daughter. Through that daughter we could meet another kid so that gave us two. But if we could give Amy kids that would be perfect! We could create the next generation of the Jennings’ family! Just one problem, she wouldn’t be old enough. So we gave her a stepson - which gave us three teenagers but we really wanted a fourth. And we sat trying to think of sensible logical ways we could give Amy another teenager to be a mother to. Perhaps a long-lost cousin, something like that?. We got close to giving up and nearly gave the Sheriff two kids.


Then we remembered that this is Dark Shadows. Dark Shadows doesn’t do sensible. Dark Shadows doesn’t do bland. Dark Shadows doesn't do what the other drama serials do! So we gave Amy an 18-month-old baby and had Angelique age him up to 18-years-old because she was annoyed with his Dad. Baby Tommy became Tom Cunningham. A new teenager for Collinsport. A new generation for the Collins/Jennings family. Oh, and of course, as the first born son of one of Quentin’s descendants, Tom would have the werewolf’s curse. It was silly. It made us laugh. But if we played it straight it would have so much dramatic potential. And we realized it was something they hadn’t done in the TV series but that it was exactly the sort of thing they would have done.

I like to think that Dan Curtis, without who none of this would have happened, would have approved of that.

Joseph has written scripts for radio and television, including episodes of Torchwood, The Sarah Jane Adventures, Wizards Vs. Aliens and Millie, Inbetween. In 2012 his first stage play, Nice Sally, made it to the finals of the Off Cut Theatre Festival. He has also written a number of Doctor Who, Torchwood and Dark Shadows audio dramas. You can find him on twitter at twitter.com/joelidster

Tuesday, June 7, 2016

A menacing look at this year's Big Finish/Dark Shadows releases


Big Finish is doing some interesting things with DARK SHADOWS this year.

Save for a few nostalgic blog posts, the anniversary of the series has gone largely unnoticed in the straight world. It's seems a little weird to me that the standard bearers for the series are predominantly British because the show was never the phenomenon across the pond that it was here in America. It's also incredibly frustrating that Big Finish's efforts are sometimes casually dismissed by the Elder Fans, who treat them (and pretty much everybody else born after 1970) as interlopers in their personal thing. The same folks who say the "best part" of the 2012 movie were the cameos by the original cast are often the same people who have never given the Big Finish DARK SHADOWS releases their days in court ... despite the presence of those same actors.

Admittedly, the line of audio dramas had fallen into a rut a few years ago. When Joseph Lidster and David Darlington came about as producers, though, they began to experiment with the narrative in some interesting (if subtle) way, and really shook things up with last year's BLOODLUST. The 13-part serial managed to garner critical acclaim outside of mainstream fandom, which was thankfully interpreted as clearance for further experimentation. BLOODLUST will be followed up later this year with another extended serial (BLOODLINE), with an assortment of unusual releases peppering the landscape throughout 2016.

Coming in a few weeks is DARK SHADOWS: BLOOD & FIRE, which is a real gem. I've had a chance to hear this two-disc, multi-part epic and loved it ... but have been sworn to secrecy about the story until after it's released. I'll be shooting my mouth off about BLOOD & FIRE at later dates.

Also due out in 2016 are a pair of four-part anthologies. ECHOES OF THE PAST will help BLOOD & FIRE celebrate the 50th anniversary of DARK SHADOWS later this month, with HAUNTING MEMORIES following in December. Here's what we know about the anthologies so far:

ECHOES OF THE PAST
(Scheduled for a June release)

TRASK THE EXORCIST by Jerry Lacy
A tired and hungry Reverend Trask is summoned to perform an exorcism. But when he meets Penelope Bascomb he will face the Devil’s greatest weapon... temptation.

THE MISSING REEL by Ian Farrington
Los Angeles, 1958. The world is changing - but then again, it always does. Only people with short lives assume things stay the same. When you’re immortal like Quentin Collins, you realize that it all moves at a lightning pace...

LUNAR TIDES by Philip Meeks
Maggie Evans knows everything. She knows what Barnabas has done and has banished him from the town. But who will help her when a mysterious mist descends on the town and the people of Collinsport start falling ill?

CONFESSION by Paul Phipps
The witch Angelique sits alone in her cottage, writing a confession. But what is she confessing to? Any why can’t she stop writing?

HAUNTING MEMORIES features four new stories read by members of the original cast, with Lara Parker writing her first script for Big Finish here. While Parker has been content to let her character Angelique take supporting roles in her later DARK SHADOWS novels, it's reasonable to assume the two will be reunited in the December release.

Beyond that, details about volume two are a little sketchy. Thanks to some unanticipated changes in schedules we already know one of the tales that will be included in the next installment, a story titled OLD ACQUAINTANCE by DOCTOR WHO/DARK SHADOWS alumnus Matthew Waterhouse. ACQUAINTANCE has been replaced in the first volume by THE MISSING REEL.

"When the opportunity arose to pitch for a DARK SHADOWS short story,” said episode writer Ian Farrington, “I was in a phase of watching a lot of silent films - METROPOLIS, NOSFERATU, a great British film called PICCADILLY - as well as recent movies about that era such as SHADOW OF THE VAMPIRE and THE ARTIST. So the world was in my head when I started to think of a story."

“OLD ACQUAINTANCE actually works better as part of the December release, so we hope the fans won’t be too disappointed at this unavoidable last-minute change," said co-producer Lidster. "Ian’s story is absolutely brilliant and David (Selby) gives one of his finest performances.”

You can listen to a trailer for ECHOES OF THE PAST streaming below.


Tuesday, March 8, 2016

DARK SHADOWS: BLOOD & FIRE details



There's an interview over at the official Big Finish website that spills a bean or two about the company's upcoming DARK SHADOWS 50th anniversary special, BLOOD& FIRE. Lara Parker takes center stage in the two-hour special, which sends the witch Angelique back to the year 1767. Here's what producer Joseph Lidster has to say about the project:
"Blood & Fire is a standalone special that sees the witch Angelique travelling back in time to 1767. I don’t want to give too much away but she’s there on a mission. Long-term fans of the show will realize that the year is important as it features a wedding and the building of the Old House which will eventually become Barnabas’s home. For newer fans all you need to know is that it features two supernatural creatures fighting each other against a backdrop of weddings, deaths and very sexy pirates."
You can read the full interview with Lidster and producer David Darlington at Big Finish's news page HERE. (Note: BLOOD & FIRE is already available for pre-order.)

Monday, November 9, 2015

Big Finish creators want you to know FEAR


"FEAR (n): an unpleasant emotion or thought that you have when you are frightened or worried by something dangerous, painful, or bad that is happening or might happen."
Some of the creators of the DARK SHADOWS line of audio dramas have created an independent suspense anthology called FEAR. If you're a fan of Big Finish's work, you'll recognize many of the names in both the writing and cast credits of this anthology: Joseph Lidster, Alan Flanagan, Wendy Albiston and James Lawrence.

Here's a short summary of the tales you'll find on FEAR:

The Joy of Cancer: Robert has been diagnosed with testicular cancer but this isn't what scares him... 

Tomorrow Will Be OK: People disappearing, libraries burned, extreme violence game shows... are you terrified? Never fear! Doctor Penny's self help group will make it all go away. 

The Stranger Things That Happened: Fifteen year-old Maya starts to investigate the weird goings-on in her village, drawing with her her ageing dog, a Finnish exchange student and the Devon and Cornwall police. A tale of paranoia, suspicion and the teenage mind. 

Cancellation: The stars of rural drama Bamberly Farm are about to find out that there are things much more terrifying than being off the air...

FEAR is available on CD and download from Bandcamp.

Via: What Noise Productions

Friday, September 19, 2014

DARK SHADOWS: THE FAVORITE FIVE

Last month, The Collinsport Historical Society asked you to name your five favorite DARK SHADOWS audio dramas from Big Finish. Every day this week we'll be revealing the results.

#1 The Night Whispers

While the character of “Barnabas Collins” has made scattered appearances in Big Finish’s line of DARK SHADOWS audio dramas, only once was he played by the actor who originated the role on television: Jonathan Frid.


In fact, “The Night Whispers” represents Frid’s only return to the role since the cancellation of the series in 1971.

“‘The Night Whispers’ was probably always destined to be Jonathan Frid's swansong,” said Stuart Manning, the episode’s writer. “There was a vague notion that it might be the first of many Barnabas stories, but I always expected it to be a one-off.”

“‘The Night Whispers’ was produced before I joined the DARK SHADOWS audio range, but I remember just how utterly exciting it was to hear Barnabas again,” said Joe Lidster, who today produces of the line for Big Finish. “A fantastic script by Stuart Manning that explores his relationship with Willie, three lovely performances and some beautiful sound design make it really something special.”

"The Night Whispers" received a great deal of attention outside of DARK SHADOWS fandom, as well, and won the Rondo Hatton Classic Horror Award for "Best Horror Soundtrack" in 2012.

Frid has been resistant about not only returning to the role of “Barnabas Collins,” said Jim Pierson, the marketing director and producer at Dan Curtis Productions. The actor also refused to take any role even vaguely similar.

“The art for Jonathan was in delivering the lines,” said Pierson, who directed Frid’s recording session. “He was in paradise when delivering his one-man shows like ‘Fools and Fiends,’ the ‘Shakespearean Odyssey,’ and all the variations of those performances — whether it was in a library, a theater or somebody’s living room.”

The audio dramas proved to be an easy transition for Frid, Pierson said.

“He resisted doing anything vampiric after DARK SHADOWS, and he turned down tons of things,” he said. “Everything from movies to tooth paste commercials. Because he was coming back to be with fans for the 40th anniversary of ‘Barnabas,’ it seemed to be a natural progression.

“He got his fangs wet again and really had a good time,” Pierson said.

Jonathan Frid and John Karlen
 “As detailed in the ‘Remembering Jonathan Frid’ book, the play took a long time to come together and it's really only due to the gentle persistence of Jim Pierson and Bobbi Jacobs-Meadway that it happened at all,” Manning said. “During the writing I listened to Jonathan's narration from the old Dark Shadows music LP on a loop, trying to get his vocal tics down, and those speeches are probably etched onto my psyche permanently as a result. I may well have been the first ever sufferer of Frid earworm.”

Darren Gross, co-director of “The Night Whispers,” said it took careful coordination to get the actors’ lines recorded. Because of the international nature of each production (Big Finish is headquartered in the United Kingdom) the participating actors sometimes never meet in the studio.

“Often the actors are recorded separately, sometimes months apart and thousands of miles away,” Gross said. “‘The Night Whispers’ was done in three pieces, with John Karlen, Barbara Steele and Jonathan Frid done in separate recording sessions.”

Frid in the studio for "The Night Whispers."
Frid’s session was recorded in Canada, while Steele recorded her lines in Burbank, California. Both sessions were supervised by Jim Pierson.

Gross directed Karlen’s performance, which was also recorded in Burbank.

“For this kind of piecemeal recording, I brought in Andrew Collins to read-in for Barnabas and the other characters, so that Karlen had someone to play off of,” Gross said. “You don’t know how the other actors are going to play their lines, so for scenes that are tricky or where there’s arguing, low key line delivery or some kind of intense moments, I would tend to get a couple of different versions to give Nigel Fairs or David Darlington latitude in the editing.”

The goal, he said, is to make sure the actors sound as though they’re performing together in the same room.

“It doesn’t always work, but sometimes it’s miraculous and very convincing,” Gross said. “We did the same thing for ‘Beyond the Grave,’ where most of the pieces were recorded in the U.K., except for the sessions with Kathryn Leigh Scott, which I recorded in Los Angeles, again playing off of Andrew Collins.”

Andrew Collins, who played “Barnabas Collins” in earlier DARK SHADOWS audio dramas from Big Finish, was a vital part of recording sessions, Gross said.

Barbara Steele as "Dr. Julia Hoffman" in the 1991 DARK SHADOWS television series.

“Andrew just makes these sessions fun, as he’ll do a dozen different voices as he jumps from character to character, feeding lines to his scene partner,” Gross said. “These sessions can be a bit of a challenge for the actors, as we’re frequently jumping from scene to scene, but it does create a very focused atmosphere, as we only focus on their character’s scenes.

“I’ve always felt blessed to have actors like John Karlen and Kathryn Leigh Scott, who can just turn on a performance like a light switch,” Gross said. “That kind of engagement in the material is invigorating."

“Honestly, I was just grateful that Jonathan played ball,” Manning said. “After 30-plus years, he finally agreed to be Barnabas again for a day, and that alone was a milestone. It was a little piece of history and I hope we did the old guy proud.”


Thursday, September 18, 2014

Alec Newman (and David Collins) return for BLOODLUST

Alec Newman as "David Collins."
Big Finish Productions has announce three more cast members for the upcoming serial 2015 serial, DARK SHADOWS: BLOODLUST.

The announcement includes two very familiar names: Alec Newman and "David Collins."

“Alec’s performance as David in 'Kingdom of the Dead' is fantastic,” says co-producer Joseph Lidster. “The character starts off as a lost innocent before heading down a much darker path. David has changed since we last met him though. No longer a doctor, he’s opened up a mine in the grounds of Collinwood.”

Marley Shelton and Alec Newman as Victoria Winters and Barnabas Collins, from the unproduced 2004 WB series.
Newman briefly played "Barnabas Collins" in a 2004 pilot for The WB. Co-starring with Marley Shelton,  Jessica Chastain and Blair Brown, the pilot was not picked up for series by the network. The uncompleted episode has been screened at the annual Dark Shadows Festival. A clip from the pilot is available on Youtube.

“We wanted to return to the core DARK SHADOWS idea of the Collins family owning a business that employed many of the townsfolk,” says co-producer David Darlington. “And of course mining was big news in the early 1980s... Whether David is a villain like J.R. Ewing or a good guy like Bobby Ewing is something we’ll discover throughout the series.” 

Benjamin Franklin and Kate Ripperton
Working in David's mine is Benjamin Franklin - known to his friends as Frankie. A new character to Dark Shadows, and played by Roger Carvalho, Frankie works hard and plays hard. He’s been a bit of a ladies' man in the past - but he  seems to have settled down. And his girlfriend is another returning character - Kate Ripperton (Asta Parry) from 2013’s Beyond The Grave.

“Kate’s now the editor of local newspaper, the Collinsport Star,” says Joseph Lidster. “And she and her reporter, Andrew Cunningham (Matthew Waterhouse) are going to be kept very busy when a murderer strikes. As the former host of a television show in the UK, the reasons for her being in Collinsport are a bit of a mystery. Could she be a killer?”

DARK SHADOWS: BLOODLUST is a 13-part miniseries released in January and February 2015. It's available to pre-order here.

DARK SHADOWS: THE FAVORITE FIVE

Last month, The Collinsport Historical Society asked you to name your five favorite DARK SHADOWS audio dramas from Big Finish. Every day this week we'll be revealing the results.

#2 The House by the Sea

Released in March 2012, “The House by the Sea” is one of the most recent DARK SHADOWS audio dramas to make “The Favorite Five,” it’s also the only episode not to feature any members of the original cast.

Former DOCTOR WHO Colin Baker played “Gerald Conway,” an Englishman attracted to Collinsport by an inexplicable compulsion. It’s almost a one-man show, a story told through Conway’s diary recordings as he meets the mysterious denizens of Collinsport, struggles with madness, and finally meets one of the town’s most notorious sorcerers.

“When James (Goss) and I took over the range, one of the first things he said he wanted to do was to write a single-hander for Colin Baker,” said Big Finish producer/writer Joe Lidster. “And so he did. And it’s brilliant. What I love about the script is how deceptively clever it is. James has a way of writing something that feels utterly simple.”

“‘The House by the Sea’ came up for three colliding reasons,” Goss said. “Colin Baker had expressed an interest in doing a DARK SHADOWS. The film was coming out and it seemed good to have a ‘Beginner's Guide To Collinsport.’ And finally, I was dying to write a one-man outsider's view of that crazy, crazy town.”

Colin Baker in DOCTOR WHO.
“You could mistake ‘The House by the Sea’ for just being all about atmosphere,” Lidster said. “It’s certainly got atmosphere. I remember how scary it was in the studio - thanks to James’s script and Colin’s amazing performance, but it’s not just a spooky ghost story. There are clues throughout as to where it’s going and the character of Gerald Conway is so nuanced and three-dimensional. When you add onto that David Darlington’s terrifying sound design, you get something really special. I genuinely think it’s one of the best pieces of drama I’ve ever heard.”

Because the character is recounting his experiences to the listener, it opened to door to allow for characters not usually depicted in the audio dramas. Big Finish has been resistant to recasting actors from the original series, which has meant characters played by actors and actress no longer with us - such as Grayson Hall, Joan Bennett and Joel Crothers - have not made appearances.

“The cameos just seemed a great way of introducing some characters we'd otherwise not get a chance to meet,” Goss said. “It was also a joy working with Colin Baker - he stormed through the script, barely needed a second take, stopped only for a quick bite of lunch and to check a YouTube clip to hone his version of someone's voice... just amazing.”

Because Baker was essentially “playing” all of the roles, it meant every character was fair game for ‘The House by the Sea.’ Including Barnabas Collins.

“That was the only bit that took some explaining to him, ’So, just to be clear, I'm NOT acting with Johnny Depp?’” Goss said.

Wednesday, September 17, 2014

DARK SHADOWS: THE FAVORITE FIVE

Last month, The Collinsport Historical Society asked you to name your five favorite DARK SHADOWS audio dramas from Big Finish. Every day this week we'll be revealing the results.


#3 The Crimson Pearl

Released in August, 2011, “The Crimson Pearl” is one of the most ambitious episodes in Big Finish’s DARK SHADOWS line of audio dramas. Beginning in 1690 with the arrival of the very first Collinses in the New World, the story spans not only centuries, but multiple timelines, as well.

It also featured one of the largest casts ever featured in a single episode, with 19 credited actors appearing.

“Initially, we figured that, with some creative work with the director Darren (Gross), we could get all that year's cast to record a short letter or two in character, the end result building up to a bonus release,” said writer James Goss. “I've always loved epistolary novels, and the idea of the various generations of Colinsport encountering a shared mystery seemed a great one.”

Big Finish producer Joe Lidster said “The Crimson Pearl” was part of a production strategy to make the dramatic readings more dynamic than they’d been in the past.

Christopher Pennock, records his dialogue for "The Crimson Pearl."
“Up until then they had mostly been two-handers, usually featuring two actors who had appeared in the TV series,” Lidster said. “So we looked at bringing in other actors to play smaller roles and we just played around with how things were written and recorded.”

Goss said the concept proved to be more challenging than they’d imagined. The roster of characters became so large that outside actors were brought in to help fill out the cast.

Ursula Burton and Jerry Lacy.
“I had a reasonably simple idea,” Goss said. “Joe turned up with the entire history of Collinsport, and the simple idea became more and more complicated and epic and, in the end, there were quite a few extra recording sessions. But, on the other hand, you got Roy Thinnes (“Roger Collins” on the 1991 DARK SHADOWS “revival” series) playing the founding Collins! You got gypsies and the alternative universe and those cunning Leviathans.”

“James was clever with the budget and I went crazy on which characters we could use,” Lidtser said. “I think it works as a real celebration of Dark Shadows - it’s scary and sad in places, but it’s also fun. And Nigel Fairs’s reworking of the theme tune is just glorious.”

Tuesday, September 16, 2014

DARK SHADOWS: THE FAVORITE FIVE

Last month, The Collinsport Historical Society asked you to name your five favorite DARK SHADOWS audio dramas from Big Finish. Every day this week we'll be revealing the results.

#4 The House of Despair

Released in 2003, “The House of Despair” is the first DARK SHADOWS audio drama from Big Finish. Set not long after the end of the original television series, the story featured a reunion of DARK SHADOWS cast members old and new.  David Selby, Lara Parker, John Karlen and Kathryn Leigh Scott reprised their roles from the television series, as well as a cameo appearance by Robert Rodan.

Because Jonathan Frid was still resistant to the idea of once again playing Barnabas Collins, the role went to the aptly named Andrew Collins.

“‘The House of Despair’ seems like a very long time ago,” said Stuart Manning, the story’s writer. “I remember arriving for the first day of recording in blazing L.A. sunshine and thinking how un-Dark Shadowsy it all felt.”

“I hadn’t watched an episode of the TV series when’ The House of Despair’ was released but I loved it,” said Joe Lidster, who today produces the DARK SHADOWS line for Big Finish. “There’s something very simple and elegant about it. I had the pleasure of listening to it again recently as our forthcoming ‘Bloodlust’ ties into certain elements of it.”

The episode was produced during one of DARK SHADOWS’ many resurgences. In 2000, producer Dan Curtis was planning a stage musical based on the original television series. In 2004, Curtis succeeded in shooting a pilot for a new primetime incarnation of DARK SHADOWS ... though the series was not picked up.

David Selby, Lara Parker, John Karlen and Kathryn Leigh Scott
The House of Despair” was not the first time the cast of DARK SHADOWS had convened in a recording studio. Three years earlier, much of the cast gathered in New York to record a two-hour play that had previously been performed as part of the annual Dark Shadows Festival. Written by Jamison Selby, “Return to Collinwood” was designed to tie up plot threads left dangling by the abrupt cancellation of DARK SHADOWS in 1971.

“DARK SHADOWS on audio was a bit new and daunting for everyone and our cast had an air of polite wariness about the whole enterprise,” Manning said. “Fortunately that soon lifted as we got to work. The play itself was nuts-and-bolts - it was effectively our opening night, written with no more ambition than to explain the concept to new listeners and get the characters up and running. That was enough to fill an hour; it didn't leave room for much besides.”

Rather than dwell on the past, “The House of Despair” was intended to move the story forward. Still, Manning said it took a while for Big Finish to find its own voice.

“We drew a little on the then-recent 2004 Warner Bros pilot, which probably makes it seem a little dated now,” Manning said. “Doing it again, I'd have worried less about trying to create our own distinct version of DARK SHADOWS and just trusted in the strength of the format. We were learning as we went along, but it's nice to see that people still remember it.”

Monday, September 15, 2014

DARK SHADOWS: THE FAVORITE FIVE

Last month, The Collinsport Historical Society asked you to name your five favorite DARK SHADOWS audio dramas from Big Finish. Every day this week we'll be revealing the results.

#5 BEYOND THE GRAVE
 
The first entry in THE FAVORITE FIVE is also the most recent release to make the list. The experimental “Beyond the Grave” was released in October, 2013. Unlike prior episodes in the DARK SHADOWS series, it was designed to function as a sort of “found footage” movie, telling the story of a fictional British television show investigating the ghostly goings-on at Collinsport.

Aaron Lamont, the episode’s writer, said “Beyond the Grave” was epistolary in nature from the very beginning. He pitched the idea as “DARK SHADOWS does DEATH OF A PRESIDENT,” referring to the 2006 fictional documentary about the “assassination” of Pres. George W. Bush and its aftermath. Producer Joseph Lidster had something a bit spookier in mind, though.

“Joe said ‘I want you to do GHOSTWATCH.’ Which is what I really wanted to do,” Lamont said.  “Maggie was the key - here's a woman who's been through hell, and she's still standing and still fighting.”

GHOSTWATCH was a television movie that first aired in the UK on Halloween, 1992. If you’ve listened to “Beyond the Grave,” the plot of GHOSTWATCH will sound familiar: The film followed BBC reporters conducting a live, on-air investigation of a haunted house.

GHOSTWATCH was just a jumping-off point for a much more personal tale, though. Lamont said his original proposal for “Beyond the Grave” was to take the one person in Collinsport with the least credibility and prove she was actually the sanest.

Kathryn Leigh Scott
“And, when I first heard Kathryn Leigh Scott deliver the line, 'I won't be mad for you,' I punched the air,” Lamont said. “She got it. And of course at the end, where Maggie has actually been driven insane, she was utterly devastating.”

“Aaron is a fantastic writer who really knows his stuff,” said Lidster. “It had elements of “The Crimson Pearl” in that we got actors who were already appearing in other stories that year to have cameo roles in it - either as the same characters or as someone new. So one minute Evelyn Adams is playing a terrifying ghost on a ship, the next she’s phoning a TV show to scream that her husband is coming after her with a knife.”

Beyond the Grave” was the capstone in a yearlong event that loosely tied the previous stories into a single narrative. While it wasn’t necessary to listen to previous episodes to understand the latest releases, listeners who stayed with the series throughout 2013 had a richer experience than casual audiences.

“I love how we managed to set it all up in the earlier stories and how it managed to continue the serial elements and character arcs from throughout the series,” Lidster said. “But, mostly I love that it works perfectly as a standalone drama. And it’s just simply terrifying!”

Lamont said the atmosphere in the studio was “unbearably tense” during the record session.

“It was actually terrifying,” he said. “After one scene, everybody shuddered.  And I just sat in the control booth with Joe and (producer David Darlington) grinning from ear to ear. We did something really special with that batch of audios.”

"(It was) simply one of the creepiest stories I have ever heard on audio, tying together so many elements from that season's range," said CHS reader Joe Hart, who named "Beyond the Grave" as his favorite episode. "It's probably the scariest DARK SHADOWS story ever."

Tuesday, September 9, 2014

Big Finish announces cast of DARK SHADOWS: BLOODLUST

Matthew Waterhouse, Scott Haran and Stephanie Ellyne visit Collinwood.
Some describe it as the town at the edge of the world.

When Melody and Michael Devereux come to Collinsport on their honeymoon, they don't know the secrets that are hidden behind closed doors. But those secrets will be unearthed when an innocent is viciously murdered.

Collinsport will be a town divided. One woman's rise to power will lead to further death and destruction. Families will be ripped apart. Blood will be spilt.

And the dark forces that wait in the shadows will wait no more. For in Collinsport, death is never the end ...

That's the official plot synopsis of DARK SHADOWS: BLOODLUST, a 13-part serial coming from Big Finish in January. Earlier today, the company announced the cast of the serial, which will see the return of Stephanie Ellyne as "Amy Jennings." Joining her are DOCTOR WHO icon Matthew Waterhouse (previously heard in the DARK SHADOWS audio dramas "The Creeping Fog" and "The Crimson Pearl"), and Scott Haran, best known as the boy wizard "Tom Clarke" in CBBC's WIZARDS VS ALIENS.

DARK SHADOWS: BLOODLUST is an ambitious project, one modeled on the serialized nature of the original DARK SHADOWS television series. Episodes will be released twice weekly in January and February, 2015. The serial is available for pre-order HERE.

DARK SHADOWS: BLOODLUST takes place in the 1980s, following the events of "Kingdom of the Dead."

"One thing we wanted to do in BLOODLUST was to create a next generation of Collinsport residents," said co-producer Joseph Lidster. "Harry's something of a loner but he'll soon find himself making friends with other teenagers in the town."

"Like many of the residents," said co-producer David Darlington, "the Cunningham family are hiding secrets - both from the other townsfolk and from each other. But could one of them be a killer?"

The Big Finish press release raises more questions than it answers. First off, will any members of the original television cast make appearances in BLOODLUST? "Kingdom of the Dead" had one of the largest roster of characters to appear in any of the DARK SHADOWS audiodramas, and even included Andrew Collins as "Barnabas Collins." More importantly, I'd like to see these characters develop beyond their roles on the original television series (which has already happened, to a certain extent).

Which leads me to another question: Does Big Finish have the balls to launch a DARK SHADOWS serial without any original cast members? That would certainly be a bold move. It might even be an essential strategy if we're going to see DARK SHADOWS continue well into the future.

From a storytelling perspective, the plot summary also begs the question, "Why the hell is Amy Jennings back in Collinsport?" She vowed never to return in the last episode, "The Carriage of the Damned," set sometime in the early 1970s. Jennings appears to be at the center of the story in BLOODLUST, with Waterhouse playing her husband, "Andrew Cunningham," and Clarke playing her step-son, "Harry."

You can read the complete news release from Big Finish HERE.

And listen to Amy, Andrew and Harry introducing themselves at Big Finish's official Soundcloud page HERE.

Tuesday, June 17, 2014

David Selby, Donna McKechnie DARK SHADOWS reunion delayed

David Selby and Donna McKechnie.
Big Finish has announced that the DARK SHADOWS audio drama THE DARKEST SHADOW, a double-length episode featuring the reunion of David Selby and Donna McKechnie, has been pushed back to July.

“The story reunites David Selby and Donna McKechnie as Quentin and Amanda for the first time in over forty years,” producer Joseph Lidster explained in a statement on the company website. “And we really felt it was important to record the two of them together, for such a special occasion and such an ambitious script, which meant waiting a few months until we could synchronize their schedules. Also, this being a double-disc story for the price of a single disc release has obviously meant a lot more work at every stage of production. We’re very sorry for the delay but confident that people will find THE DARKEST SHADOW worth the wait!”

Disappointing? Sure. THE DARKEST SHADOW has been in the works for a while, but this kind of delay is actually good news in the long run. This time next year we won't even remember this delay. While waiting a few more weeks might be inconvenient for fans, it does nobody any good to rush an unfinished product to the market. And it's hard to argue with Lidster's goal of finding in-studio chemistry between the actors.

The episode is written by Nev Fountain, who is making his debut in the DARK SHADOWS line of audio dramas with this episode. (NOTE: A Google search connected Fountain's name with his DOCTOR WHO credits for Big Finish, but not DARK SHADOWS. Had I only thought to search my own website I'd have remembered Fountain won an award for his prior visit to Collinsport.)  I'm not entirely sure what to make of the episode's official summary, though: Olivia Corey, a pseudonym adopted by Amanda Harris, is offered a starring role in a movie titled "The Curse of Collinwood," being directed by one D. Curtis. Her role? Amanda Harris. Nobody can fault Big Finish for being timid in its approach to storytelling.

Oh, and Wally Wingert is in it!

You can listen to the first 13 minutes of THE DARKEST SHADOW below.

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