Tuesday, June 19, 2018

The Dark Shadows Daybook: June 19



By PATRICK McCRAY

Taped on this date in 1968: Episode 525

Jeff awakens from a dream where Nathan Forbes berates him as Peter Bradford. Upon waking, “Jeff” realizes that this evidence ensures that he is Peter Bradford. At Collinwood, Nicholas connects Vicki to the painting and induces Roger to explain her convictions about 1795. He realizes that she knows the location of Trask’s execution tree, and uses her knowledge to locate it. There, Nicholas performs a ritual to summon Angelique. The sound of screaming indicates he may be a success.

DARK SHADOWS is a paranoid’s delight, and is sure to leave you with reflexes and impulses that will last a lifetime -- an eternal gift to make a neurotic out of anyone. Vicki shows amazing fortitude and professionalism. Here she is, at her job, and living there -- living at her home and work -- is someone who is clearly the witch responsible for her murder. But, you know, the witch says she isn’t and is married to your boss, so you have to play along. Then, a sleazy guy with a mustache shows up, kisses hands, and claims to be her brother, which may be worse. One night, you come downstairs for your nightly brandy & bullion and catch him making weird hand gestures at a painting that looks like said witch… then he asks to “borrow it” for reasons that seem uncomfortably Kentuckian. Who borrows a painting of someone who looks like their sister? Nicholas Blair, that’s who.

This kind of stuff goes on there all the time. People at Collinwood, in the name of lack of evidence, lack of witnesses, or just a desire to be darn nice, end up sleeping three doors down from all manner of apocalyptic ne’er-do-wells, and they just lump it. Can you trust anyone?  I’m always wary when life throws me a guest star. The Collinses. Spend enough hours watching a show about them, and you’re in serious danger of taking that home and to work. Word to the wise.

525 is a joyous little core sample of the good stuff on the program. It’s Jonathan Frid’s day off, and the writers are determined to keep the suspense and ratings high. A wacky dream sequence with Nathan Forbes laughing maniacally is a reliable way to start any episode, corporate event, or bris. Joe must be either really tired of being associated with this weirdo or strangely proud, because it’s happening with a constancy that must make him think that Forbes is doing two sets nightly at the Blue Whale. All’s well, however, because it knocks a big chunk of the Jeff Clark identity crisis out of consideration. Quickly, we move to Nicholas sleazing around Vicki and drinking it up with Roger, finally comforting him with the company of a fellow fop. You kind of wish Burke Devlin would show up and try to intimidate Roger NOW… now that his buddy Nicholas is there. They’d just laugh at his taste in shoes until Burke skulked away to pen an angry letter to Brewster’s department store in furious shame.

Roger, on cue, spills the beans about Vicki’s conviction that she’d traveled to 1795 and was harassed by a witch hunter named Trask, tipping Nicholas off to the location of the Sacrificial Tree. It’s easy to be a villain on DARK SHADOWS. It’s not a job so much as a vacation. Nicholas just sits around the drawing room and drinks and leers at babes until people deliver exactly the exposition he needs, on cue. What’s left? Hypnotize Vicki, go to the tree, and call back Angelique. All in a day’s work.

Let’s praise Humbert Allen Astredo for carrying the show so effortlessly that it feels like we’re watching a talented writer unselfconsciously improvise rather than some guy reciting lines and working through blocking. It’s to the show’s credit that they didn’t simply hand over the storyline to him in perpetuity. How do you not screw up a scene? Include Nicholas Blair. It would be enough to make the rest of the ensemble paranoid. And, I guess, they share the wealth with us.

This episode hit the airwaves July 1, 1968.

Monday, June 18, 2018

Dark Shadows: The Complete Original Series on sale at Amazon




Once upon a time, it seemed as if the mammoth Dark Shadows: The Complete Original Series was on sale every few weeks. Then it was every few months. These days the 131-disc, 15.5 lbs. collection rarely ever dips below the $350 point, but today it's dropped to it's lowest price point of 2018. I don't know how long it's going to last, but the set is now on sale at Amazon for $319.99. (That's just 26 cents an episode!) You can find the sales link here: https://amzn.to/2M0iblv

The Blu-ray of "Night of Dark Shadows" costs HOW MUCH?!



It was a pretty big deal when HOUSE OF DARK SHADOWS and its less-popular sequel NIGHT OF DARK SHADOWS received digital restorations back in 2012. We can dump on Tim Burton's misfire all we want, but it momentarily raised enough interest in DARK SHADOWS to make these kinds of home video releases possible. Even better, the new transfers were gorgeous, revealing depths of detail and color barely hinted at by their earlier VHS releases. I've said it before and will say it again: If you've never seen these versions of the movies, you've never really seen them.

There might be fewer opportunities to repeat myself in coming years, though. A friend brought it to my attention last night that the Blu-ray of NIGHT OF DARK SHADOWS is currently selling for $179.34 on Amazon. (Used prices are as high as $94.99.) But it wasn't automatically time to panic, because sales programs on Amazon sometimes have bidding wars to prevent shoppers from ordering out-of-stock items. For example, if your online store runs out of NIGHT OF DARK SHADOWS on Blu-ray, your price will be raised to a penny more than the most expensive version on Amazon.  When multiple stores run out of the same item it can sometimes prompt prices to jump (temporarily) to ludicrous levels.

Sadly, a quick scan of other online vendors suggests that's not what's happening here, with NIGHT OF DARK SHADOWS.

Most of the big box stores still have NIGHT listed somewhere in the range of suggested retail prices. Walmart (boo!) has the blu for $16.45, while Target's price is $13.89. Unfortunately, this edition is out of stock at both companies. (Target goes a step further with the slightly sinister "out of stock in all stores.") And it only gets worse from there. The used Blu-ray edition NIGHT is available on Ebay with a starting price of $96.99, while whatever the hell Rakuten is has another used copy for $269.79.

For now, the DVD version of NIGHT OF DARK SHADOWS is still available at prices us mere mortals can afford. Amazon is still offering DVD for $9.99. Amazon Prime and iTunes also have the film for $9.99. So all is not yet lost.

But, if you want to own this on physical media, you might want to hustle.

Via: Amazon

Thursday, June 14, 2018

Now available: Maggie & Quentin - The Lovers' Refrain



A lot of new DARK SHADOWS dropped earlier this week, courtesy of the gang at Big Finish. The producers have fully embraced the new anthology format that has become the series standard since the release of "Echoes of the Past" in the summer of 2016. Rather that stagger individual tales throughout the year, the company is now giving us omnibus collections that feature multiple actors and creators.

Now available is "Maggie & Quentin - The Lovers' Refrain," a four-disc collection of stories starring, naturally, Kathryn Leigh Scott and David Selby. I'm still making my way through the collection (expect to read some reviews here next week) but so far it's been appropriately gothic.

You can listen to the trailer for "Maggie & Quentin - The Lovers' Refrain" below, or jump to the Big Finish podcast to listen to the first 15 minutes of it free HERE.

"Maggie & Quentin - The Lovers' Refrain" is available directly from Big Finish on compact disc or digital download HERE.



"The Girl Beneath the Water" by Lila Whelan

“If I don’t leave now something will try and stop me! Don’t you see what’s happening here? Something doesn’t want us to leave.”

As Maggie Collins welcomes her children home to Collinwood to celebrate her husband Quentin’s 65th birthday, she is blissfully unaware of the cruel magic at work underpinning the heartwarming scene. In a battle for reality, Maggie and Quentin must come together to protect their children against an ancient magical force that knows no mercy. But in doing so, they risk losing everything they love. For who can be trusted when you can’t trust yourself?

"The Sand That Speaks His Name" by Mark Thomas Passmore

"'Abandon all hope, ye who enter here…’ Just the standard disclaimer - nothing to worry about."

A mistake from Quentin’s past casts a dark shadow over his and Maggie’s weekend getaway in New York City. A Golem is loose, threatening innocents and only Quentin knows how to stop it. But first, he must learn how and why the creature has come back to life, a task which takes Maggie and Quentin on a quest through the hidden supernatural network of the Big Apple. Will Maggie’s foray into the perilous life Quentin used to live drive an irreparable wedge in their relationship? Will the rampaging Golem give them the chance to find out?

"The Hollow Winds That Beckon" by Cody Schell

“Ghosts. The seas are haunted. By the spirits of men – and women – who left land searching for something or other. A new land. Treasure. A new life. They keep searching.”

A sunny day of fishing is interrupted by dark clouds as Quentin and Maggie find themselves swept up in events beyond their understanding. They’ll do their best to escape a mysterious island, even if their failure means joining those who have failed before them - the ghosts on the waves.

"The Paper to the Flame" by Alan Flanagan

“Down by the salley gardens my love and I did meet / She passed the salley gardens with little snow-white feet...”

When a group of Windcliff patients start chanting a centuries-old song, Maggie and Quentin investigate - and find themselves drawn to an abandoned town with haunted streets and a fire burning deep below. There they must face an enemy far stronger, and far more unhinged, than they could ever have imagined – one with a grudge that stretches into both their pasts, and will have a profound effect on both their futures...

Massive Universal Monsters collection coming to Blu-ray



Hot on the heels of Universal's announcement that "legacy collections" of its Creature from the Black Lagoon and The Invisible Man films were headed to Blu-ray in August , the studio let slip that a comprehensive Blu-ray box set of its iconic 1931-1956 films would be accompanying it. That's a whopping 30 FILMS that will available in HD as of Aug. 28.

The Gill-man and his invisible cohorts account for the lion's share of these new releases. The Creature set includes Creature from the Black Lagoon (1954), Revenge of the Creature (1955) and The Creature Walks Among Us (1956). This time out, Revenge of the Creature has been given a 3-D restoration. This collection is available for pre-order from Amazon by clicking HERE.

The Invisible Man set includes The Invisible Man (1933), The Invisible Man Returns (1940), The Invisible Woman (1940), Invisible Agent (1942), The Invisible Man’s Revenge (1944) and Abbot and Costello Meet the Invisible Man (1951). This collection is available for pre-order from Amazon by clicking HERE.

For those of you looking to break the bank with the comprehensive box set, here's a list of the films you can expect to find in the collection. You can take a look at the set's bonus features at Amazon HERE.

Dracula w/Bela Lugosi (1931)
Dracula w/Carlos VillarĂ­as (1931)
Frankenstein (1931)
The Mummy (1932)
The Invisible Man (1933)
The Bride of Frankenstein (1935)
Werewolf of London (1935)
Dracula's Daughter (1936)
Son of Frankenstein (1939)
The Invisible Man Returns (1940)
The Invisible Woman (1940)
The Mummy's Hand (1940)
The Wolf Man (1941)
The Ghost of Frankenstein (1942)
The Mummy's Ghost (1942)
The Mummy's Tomb (1942)
Invisible Agent (1942)
Phantom of the Opera (1943)
Frankenstein Meets the Wolf Man (1943)
Son of Dracula (1943)
House of Frankenstein (1944)
The Mummy's Curse (1944)
The Invisible Man's Revenge (1944)
House of Dracula (1945)
She-Wolf of London (1946)
Abbott and Costello Meet Frankenstein (1948)
Abbott and Costello Meet the Invisible Man (1951)
Creature from the Black Lagoon (1954)
Abbott and Costello Meet the Mummy (1955)
Revenge of the Creature (1955)
The Creature Walks Among Us (1956)

Monday, June 11, 2018

A movie about werewolf/stuntman Alex Stevens? Yes, please


By WALLACE McBRIDE

Sometimes the best ideas are hiding in plain sight.

Stacy Poulos, the niece of stuntman Alex Stevens, took to Facebook last night to pitch an idea to her audience: A documentary about the life and work of her late uncle. It's one of those concepts that seems like such an easy sell that I can't believe such a movie doesn't already exist, but sometimes you have to take matters into your own hands.

Poulos was discussing the awards recently won by her film BEHIND THE LIGHT, a "mashup documentary" about the making of the Sarah Smith music video "Into the Light." Naturally, the closing comments on her post caught my eye:
"Anyway, it makes me feel like the next documentary should be about him. But it will take a tremendous amount of money. Who knows what Frank Sinatra's people and Dark Shadows people would charge for footage of him working with them?"
Luckily, there are a lot of behind-the-scenes video and photos of Stevens at work on DARK SHADOWS, and many of the show's cast are still hale, hearty and willing to talk about the show. I mean, who wouldn't want to see this movie? And, while DARK SHADOWS might be big draw here for me, Stevens' credits have enough A-list material to keep any narrative about his life interesting.

16 Magazine editor Gloria Stavers and Alex Stevens, from the documentary DANNY SAYS.
A little background: Born Alex Poulos in Connecticut in 1936, Stevens got his start at Wild West City, a western theme park in Netcong, N.J. He performed stunts for Broadway shows while tending bar before landing his most famous role as the werewolf on DARK SHADOWS. Despite appearing in just 23 episodes of the series, Stevens managed to create one of the show's most iconic characters. (Well, two of its most iconic characters, since he played the werewolf incarnations of both Chris Jennings and Quentin Collins.) It was a popular enough gig to earn him a spot — in full werewolf drag — on the television game show WHAT'S MY LINE in 1970.

His other notable role was that of "The Baker" in the popular SESAME STREET feature "The Number Song."

Stevens would become the full-time stand in for Frank Sinatra, appearing in such movies as THE DETECTIVE and LADY IN CEMENT. He also appeared as a stuntman in HOUSE OF DARK SHADOWS, SUPERFLY, THE FRENCH CONNECTION and SUPERMAN THE MOVIE. He passed away in 2015.

You can watch a 2015 testimony by Stacy Poulos about her uncle in the video below. And don't forget to visit the official Alex Stevens page on Facebook, Alex Stevens: East Coast Stuntmen's Association.

Friday, June 8, 2018

The Dark Shadows Daybook: June 8



By PATRICK McCRAY

Taped on this date in 1968: Episode 521

Roger is astounded that Barnabas knew to look for Liz in the tower room, and Julia reports that his sister will survive her suicide attempt. Her request that Liz be taken to Windcliff is refused. Barnabas and Julia wonder if Angelique is truly gone. After hearing breathy silence on the phone when they try to call Stokes, they go to his home. Stokes has been harboring/tutoring Adam, who answered the phone but said nothing. Hiding Adam, Stokes tells Barnabas and Julia that the state of the missing painting of Angelique may betray her current status. Barnabas rifles Roger’s bedroom with no luck, and as he comes downstairs, a knock at the door reveals a dapper, composed gentleman: Nicholas Blair -- Cassandra’s brother.

Want to see Roger bring up Barnabas’ most uncomfortable memory so incessantly that the ex-vampire looks like he’s ready to give up and confess everything? Want to see Barnabas and Julia responding to what seems like Professor Stokes picking up the phone with an outgoing obscene phone call? Want to see Stokes kvetch to Adam about academic politics as if he’s confiding in someone who knows what he’s talking about rather than a barely articulate side of meat? Want to see Barnabas sneaking around Roger’s bedroom, snooping for a forbidden portrait of Angelique as if he were Chico in need of a Harpo in ANIMAL CRACKERS? Finally, want it to end with a demon who sounds like Don Adams, claiming to be family?

Welcome to 521.

These are skilled writers, and skilled writers dealing with repetitive and deliberately slow storytelling will quickly become bored writers. If you look carefully, DARK SHADOWS has a surprising propensity to verge on farce when it’s not (and even when it is) resounding drama. The actors seem in on it. As Roger goes on and on about the legends of someone trapped in the tower room, and how curious it was the Barnabas just knew that Liz would be up there, the image stays fixed on the 1795 portrait. It’s as if the audience owes Dan Curtis money, and he paid the camera crew to assault them with irony until they pony up the scratch. But I wouldn’t have it any other way. If you want subtle, you’re watching the wrong show. Except….

Jonathan Frid nails it. After Roger innocently remarks about Barnabas’ curiously coincidental knowledge for the seventy-eighth time in the scene, the camera lingers on Frid. This is a man with more nervous and uneasy expressions than any other actor since Thespis, and he invents an entirely new one here. It’s a strange mixture of terror and an intense desire to confess. Holding in the truth, he looks like a vegan struggling not to tell everyone about his dietary ethos. Unlike with the vegan, Barnabas’ restraint wins out. But you can tell he’s closer to “I’ve had it” than at any other time in the series, so far.


Roger is beloved for his 70mm, Sensurround displays of aristocratic obliviousness, and the writers give him a moment so rich that I am amazed anyone kept a straight face. Julia gently suggests that Liz, who narrowly avoided suicide by nightshade while claiming to be the 18th century mother of an undead Barnabas Collins, might benefit from some professional consultation. His indignant response? “Are you suggesting my sister is mentally ill?” Well, Roger, um, exactly when do you begin to suspect that the meds are off? I ask that without judgement. I just want to know.

The wackiness continues as Barnabas and Julia suddenly remember that they know an occult expert and call Professor Stokes. When Adam answers with silence, Jonathan Frid and Grayson Hall make Olympian efforts not to smirk as they remark that all they can hear is heavy breathing. Cutting to Adam, we see that he’s holding the receiver upside down, indicating that the heavy breathing is coming from his ear. I would tell you to draw your own conclusions, but I have no conclusions to suggest. When they visit Stokes, he hides Adam like Jack Tripper hiding a girl from Mr. Roper, and even tries bribing Barnabas with cheese… a temptation the svelt Canadian nimbly avoids… to keep him from poking around in his bonus room. But Barnabas is determined to poke, but thankfully saves it for Roger’s bedroom. To find the painting. The painting of Angelique. That’s all. I swear. As Julia distracts Roger with board games. It kind of works until Nicholas Blair shows up, announcing himself as Cassandra’s brother.

The recent events have been such an avalanche of normalized absurdity that, although Nicholas is unexpected, he’s in no way out of step with the two episodes leading up to his grand entrance. Especially since, moments before, Roger was speaking about Cassandra’s lack of relatives with a conspicuous portentousness that made every word sound as if it were written in italics.

If I sound hard on the episode, I’m anything but. The writers and cast are clearly cutting a rug, and manage to upstage THE CAROL BURNETT SHOW (freshly on the air) while never straying from their own ground rules. DARK SHADOWS, quite intentionally, can be a very funny show. Intentionally and, yes, I swear it, subtly.

Fill in the sad observation about Tim Burton, here. As Don Adams -- who sounds a lot like Nicholas Blair -- might have said, “Missed it by that much.”

This episode hit the airwaves June 25, 1968.

Thursday, June 7, 2018

Believe it or not, this is a model


Night over the great estate of Collinwood, a night different from all others, for Collinwood is deserted except for the evil spirits who freely roam the halls, still obsessed by the children who are a key to the ghost's mysterious actions. 

And all of it can be yours for $2,400!

The photo at the top of this post is a model created by John M. Stewart, based on the real-life Collinwood, Seaview Terrace in Newport, Rhode Island. It's an amazingly detailed model that stands 17" high, and provides the kind of thorough inspection of the grounds that DARK SHADOWS never allowed. I've included a few photos of the model below, but you can find a better assortment over at the artist's website, which will give some of the best views of the mansion you're ever going to get.

Plus, there's a lot more to see at both his website and his Facebook page. Completed late last year, Collinwood was followed in quick succession in his Facebook feed by models of Bates Motel from PSYCHO and the MacNeil home from THE EXORCIST. The range of subjects in Stewart's art is staggering, hitting such divergent films as HOWARD THE DUCK,  HALLOWEEN and FAST TIMES AT RIDGEMONT HIGH.

Stewart is offering commissions of his sprawling model of Collinwood for $2,400. Here's where you can find Stewart online:

Korova Art : Artwork by John M. Stewart: https://johnstewartgallery.weebly.com/

Facebook: https://www.facebook.com/JStewart502/

Related Posts Plugin for WordPress, Blogger...