Thursday, December 31, 2015

"Things happen" to Nancy Barrett, 1966

In the weeks leading up to the premiere of DARK SHADOWS back in 1966, the show's cast made the usual promotional rounds to introduce the concept of the program to viewers. Louis Edmonds spoke about playing spies and Nazis, Joan Bennett braced reporters with her sardonic wit, while Alexandra Moltke was stuck chatting about her relative inexperience.

Nancy Barrett's promotional feature took a turn for the weird, though. Titled "Things Happen to Her," the interview reads like a David Lynch movie. Puppets make an appearance.

But don't take my word for it ...

Things Happen to Her 
Oct. 8, 1966
The Delaware County Daily Times

After sloshing around on theatre stages in six states, Nancy Barrett is now on dry, solid ground in ABC-TV's romantic-suspense series, “Dark Shadows" at 4 p.m. weekdays WFIL-TV, Channel 6.

She is blue-eyed and fragile, and if she is alluring as Carolyn Stoddard in the network's gothic-styled drama, she was all wet in the recent Broadway musical, "Pickwick."

"It was the ice rink,” said Nancy. “The thing was always melting, and before we came to the ice skating scene, the stage boards covering the rink got soaking wet. We slipped all over the place, and I figure that until we brought the show to New York, I was kicked in the shins 20 times. The dancers had it worst of all. When one fell, the rest went down like dominoes."

Things happen to Nancy Barrett, who is lovely but lacking — no red corpuscles. Maybe tired blood is the reason she couldn't catch the guy who robbed her of three suitcases.

"It was my first day in New York," she recalled, “and when I got back to my car I noticed that two suitcases were missing. I rushed off to get a cop, but I wasn't more than a few feet away when a man rushed to the car, grabbed the last piece of luggage and fled. Naturally, I never caught him."

This is a girl who met her husband under a puppet stage ("I crawled under the curtain and there he was"), choked her way through her first stage role ("I don't smoke, but in almost every scene I had to come on puffing like a chimney"), and who is currently portraying a character that is completely unlike her.

"Carolyn Stoddard is stubborn, impulsive, and a swinger," said Nancy. "My idea of a wild evening is having a quiet dinner and singing to a recording of La Boheme."

"Dark Shadows,” like all daytime serials, makes great demands on actors. The work is exhausting, requiring early cast calls and endless rehearsals until the day's show is finished. Then a run-through of following afternoon telecast with actors taking home the scripts for further study. In all, it is a 14-hour workday.

"Working in a serial, and meeting the same people day after day, is unlike anything in show business," said Nancy. "It is hard to step in and out of character because you begin to see them as friends, not actors. If the role I'm playing requires antagonism or even hate, I find it a very difficult thing to do."

Everyone in "Dark Shadows" reacts the same way, from the star, Joan Bennett, down to 10-year-old David Henesy. Recently, after a scene in which the youngster was tongue-lashed mercilessly, he walked ever to Nancy and said: "You know, you really yelled at me."

Tuesday, December 29, 2015

Local libraries offering DARK SHADOWS for free

Hulu recently added a ninth "season" of DARK SHADOWS to its archives, raising the number of episodes available on the streaming service to 360. The selection spans the introduction of Barnabas Collins in episode 210, to episode 573, roughly in the middle of the Adam/Dream Curse storyline.

Hulu has made episode 210 available for free, but you need a subscription to watch the rest of the series. If you're not interested in adding a Hulu subscription to your monthly bills, there's a way to see these episodes online that's both free and (gasp!) legal.

Hoopla, a digital entertainment service that has partnered with public libraries in the U.S. and Canada, has made the first nine DVD collections of DARK SHADOWS available in their archives. It's the same selection of episodes currently available on Hulu, though Hoopla's structure allows them to also offer music, eBooks and comics. That means users can "borrow" Danny Elfman's score to the 2012 DARK SHADOWS film, "The Original Music From Dark Shadows" from 1969, and the DVD anthologies "The Haunting of Collinwood" and "The Vampire Curse."

What's the catch, you ask? Well, there are two: your local library must offer Hoopla; and you must have a library card. If you can clear those two hurdles, all you have to do is log into Hoopla using your library card/pin number to begin borrowing titles. Files are automatically returned when the due date arrives.

Hoopla does not currently offer a Roku app, meaning you can only watch digital media using computers, smartphones, tablets and other devices. Luckily, the good people at the Las Vegas/Clark County Library District have provided a guide explaining how to connect these devices to your television. You can read it HERE.

(And don't forget, there's a good chance your local library keeps  DVDs of DARK SHADOWS on their shelves.)

Via: Hoopla Digital

Friday, December 18, 2015

Can a 172-year-old vampire find love and happiness?

In 1968, a writer for the Saturday Evening Post spend a week on the New York City sets of DARK SHADOWS. The result was one of the most in-depth pieces written about the show during its prime, though there's still a great deal here that's sure to piss off fans. The tone wanders between wry and condescending, managing to be both honest and spiteful in equal doses. Despite all of this, writer George Fox never really breaks new ground in regards to understanding the appeal of the show. Fox does everyone a disservice by hitting the usual beats found in almost every story written about DARK SHADOWS. Still, it's an interesting read and might still be controversial enough to prompt some discussion more than 40 years after it was originally published.

Note: Following the clues given in the story, it appears Fox was hanging around the DARK SHADOWS studios in May that year. The story was not published until November, around the same time that actor Robert Rodan left the series.

Can a 172-Year-Old Vampire Find Love
and Happiness in a Typical New England Town?
The Saturday Evening Post
November, 1968

In some ways the situation wasn't unusual for a soap opera. A girl and an older man in the process or eloping had been hurt in an auto accident. However, the condition of the still-unconscious male patient baffled the examining doctors at the hospital. Although he had suffered only a minor head wound and was breathing normally, his veins were almost empty of blood and no heartbeat or pulse could detected. The treatment — massive transfusions — was already under way when the patient's physician and a friend arrived at the emergency ward. "What do you think Will happen to him?" asked the friend in a desperate whisper. "Who can tell?" was the M.D.’s equally tense reply. "After all, no one's ever given massive blood transfusions to a vampire before."

A burst of eerie music is followed by a denture-adhesive commercial, and one more episode of ABC's "continuing suspense drama," Dark Shadows, comes to a cliff-hanging conclusion. "All soaps are basically problem shows," one of the writers says.”'Most deal with issues of tremendous interest to the American housewife. You know, abortion, adultery, adolescent rebellion, drug addiction, stuff like that. Our problem is 'Can Barnabas Collins, a 172-year-old vampire with a guilt complex, find love and happiness in a typical New England town?'"

Seen on ABC at 4 P.M. (E.S.T.) Monday through Friday. Dark Shadows is the top-rated daytime attraction. With females between the ages of 12 and 34. In recent months the show has become something of a national fad. Barnabas Collins board games, posters, Halloween costumes, masks, capes, coloring books and bubble-gum cards are being rushed on the market. One entrepreneur is even preparing Barnabas Collins plastic fangs, adjustable to any juvenile mouth.

Until the character of Barnabas was introduced last year, the program's darkest shadow of all was a cancellation notice lurking in the wings. Surveys made early in 1967 showed that it was being watched in only 2,750,000 homes, as against a whopping 4,480,000 today. The story had originated as a straight "soap" With Gothic trappings — an old dark house on the Maine coast; young governess menaced by unspecified evils, etc. Topping the cast was former movie actress Joan Bennett, the diminutive brunette whose more than 70 film roles had ranged George Arliss' niece in DISRAELI to Elizabeth Taylor's mother in FATHER OF THE BRIDE. "We were really bombing." admits Dan Curtis, the independent producer who packages the show, "so I figured, to hell with it. If I'm going to fail, I’ll at least have a good time. I went wild, tossed in witches and ghosts, you name it. But that vampire made the difference. Two weeks after he came on, the ratings began to climb.”

"That vampire" is, in reality, a 44-year-old Canadian actor named Jonathan Frid, a tall, attractively homely man with a face like a gardening trowel. I first met him in the Dark Shadows studio, a rancid-yellow structure the size of a two-story commercial garage. A warren of cramped dressing rooms and production offices — drenched with antiseptic pale light — fills the top floor. The effect is a little like being trapped in a submarine.

Frid was in full costume: black Inverness cape; long hair plastered down in spiked bangs; tombstone-white skin: large, slightly cruel gray eyes. He was asked if he had any personal theories on why his character had become such a success.

"To be frank, I haven't thought about it much," he said in his somber, dramatic voice. Paradoxically, his off-screen mannerisms — sweeping gestures, eyebrows arching almost to the hairline — are more florid than his acting style. Frid's vampire is restrained almost to the point of rigidity, as if fighting to hold himself back from some dark, nameless act. "There was the fan mail, of course," he went on. "It's up to two thousand letters a week now, mostly from women. They even send me nude pictures of themselves.

"Frid works with a secretary to answer the thousands of letters that pour in each week -- most of them from admiring women."

"I suppose women see Barnabas as a romantic figure because I play him as a lonely, tormented man rather than a Bela Lugosi villain. I bite girls in the neck, but only when my uncontrollable need for blood drives me to It. And I always feel remorseful later. In the story, I was murdered and turned into a vampire by a jealous witch back in 1796. Actually, my main interest is curing my condition. It's even happened occasionally, like the time I was given massive transfusions by mistake. They made me a normal human. Unfortunately, there was a side effect—I actually looked 172 years old. It was either bite girls in the neck again or die of old age …”

The scripts of Dark Shadows are tailored to make Barnabas Collins sympathetic in spite of his more antisocial tendencies. "He does terrible things," says Gordon Russell, one of the writers, "but we always give him a good reason.” An especially vivid example of this philosophy was the demise of the Reverend Mr. Trask. The episode took place during a flashback to the 18th century, detailing the hero's early career as a member of the living dead. The Reverend Mr. Trask, as it happened, was organizing a mass execution of suspected witches at the time. Emerging from his coffin one night. Barnabas learned of the enterprise and immediately denounced it as "superstitious nonsense " (How a man who had been turned a vampire by a witch could be certain the reverend's victims were innocent was never explained.) DARK SHADOWS fans cherish moment when Barnabas trapped the cleric in the basement of an abandoned house and hit him the haughty phrase: "l thought you were a pious hypocrite when I was alive, and I think you're a pious hypocrite now." He then proceeded to wall up Trask in an alcove.

"Dress rehearsal, dress rehearsal," screamed the loudspeaker in Frid's dressing room. "Personally, the success of the show hasn't meant all that much," he said, rising and brushing a spot of talcum powder off the collar of his cape. "l got a raise when I signed a two-year contract, but that's it. The trouble, I guess, is that soaps are rather subterranean. The people you want to impress are working while you're on. Somehow, this sort of thing just isn't real ...”

If Jonathan Frid can't quite come to grips with his offbeat celebrity, it's understandable. Born and raised in Hamilton, Ontario, trained in his craft at London’s Royal Academy and the Yale Drama School, he'd spent nearly two decades as one of the hundreds of New York-based actors who, somehow, just never make it. Respected by other professionals, they fill out the years between Broadway roles in regional theaters, touring with road companies, playing small parts in Shakespeare summer festivals.  "l portrayed so many conspirators m Shakespeare's historical plays that even today my only real political allegiance is to the House of York,” Frid says. To find fame and relative fortune as a vampire in a soap opera, his manner hints, is improbable almost to the point of hallucination.

Jonathon Frid, actress E.J. Peaker and Robert Rodan attend a party for the cast of DARK SHADOWS in 1968.
Descending from the neat, sterile confines of the studio's second floor to the bustling, dusty clutter of the taping area is something of a shock. Because of limited space, sets are crammed in one upon another at unexpected angles. A single step takes you from the huge, murky living room of Collinwood — the house around which most of the action revolves — to a sunlit artist's studio, which in turn borders on an ancient graveyard. Through it all move technicians, wheeling their cameras like robot dance partners. The actors — who put in 9-10-11-hour days —sit in odd corners, memorizing their lines, oblivious of the activity around them. The show even has a late shift — stagehands who labor most of the night to erect the sets for the following day's program. The three-man writing staff works in an apartment about 10 blocks from the studio, struggling to keep the scripts at least two weeks ahead of the taping schedule.

The actors talk a lot about wages and working conditions. Daytime serials, some of winch have kept the same character for 18 years, are the closest thing to real job security an actor can find, although the 13-week option clauses add a certain amount of suspense. The week I watched the show, the action revolved around a Frankenstein-type monster, played by a young, six-foot-six-inch actor named Robert Rodan. The role required him to spend most of his time as an inanimate, stitched-together hulk lying on a lab table. Having just come from a talk with the show's writers, I remarked that they were planning to throw him off a cliff in a few months. He sat bolt upright. "Do I get killed?" he said.

Robert Rodan, Grayson Hall and Jonathan Frid.
Other cast members are more casual about their labors. Redheaded Grayson Hall implied that her main reason for staying with the show is professional laziness. A gifted actress with a solid stage-and-screen reputation, she received an Academy Award nomination several years ago for her performance as a Lesbian schoolteacher in NIGHT OF THE IGUANA. "I guess I could have gotten more Hollywood work, she said with an easy laugh, "but it meant living out there and going to the parties and everything. Movie people can't separate an actress from her role. To them I'm still the crazy dyke who chased Sue Lyon all over Mexico. Anyway, this show is comfortable and I get to work with my husband, who's one of the writers.

"I play Dr. Julia Hoffman, a kind of female mad scientist. She's one of the few people who know Barnabas is more than a harmless nut who hates sunlight. Actually, I’m in love with him, and I get jealous as hell because he bites young girls in the neck but refuses to bite me. Middle-aged housewives are always sending me letters saying they understand the situation perfectly."

The girl bitten most often Alexandra Moltke. She plays doe-eyed, virginal Victoria Winters, the show's original protagonist. With three more years to go on her five-year contract, boredom has set in. "Victoria is so dumb," she said with an exasperated grimace. "All I do is stand around saying, ‘I don’t understand what's happening.' Jonathan has hypnotized me into eloping with him, tried to cut off my boyfriend's head to stick on that goofy monster they made, even sent me hundreds of years Into the past during a séance. And I still haven't figured out that he may not be quite normal."

To Joan Bennett, who plays the reclusive mistress of Collinwood, the show is obviously a means of semi-retirement. Although still the only performer given "star" billing, she usually appears only twice a week, at her own request. “I hated the job at first," she admitted in her familiar, tartly suspicious tones. "All that getting up early and eating soup in a paper cup for lunch. But now I don’t mind. After all, poor Jonathan does most of the work. Isn't that amazing about him? Some of it has rubbed off on all of us. A month ago I was In the Midwest, narrating a fashion show, and the teeny-boppers just inundated me. I felt positively like a Beatle.”

Many parents forbid small children to watch the program, less because of the violence (gory scenes usually take place off camera) than because of its odd moral ambiguity. Barnabas is universally accepted by kids as the hero. Barnabas is universally accepted by kids as the hero. Some people apparently get nervous when their children identify with a character who bricks up living people in alcoves. This possibility was mentioned to producer Dan Curtis, a husky, ebullient ex-salesman with one of those suntans that must have been initiated in the cradle. He smiled tolerantly. "We have the only show on the air that kids can accept all the way as make-believe,” he said. "If you watch it regularly, you'll see what I mean. Nobody ever really dies. During the flashback to 1795, we killed off just about the whole cast — and as soon as we returned to 1968, there they there again as their own descendants. If we can't do that, we bring 'em back as ghosts or zombies."

"Frid, as Barnabas Collins, goes over a scene just as the day's shooting begins."
Before leaving, I dropped by to say good-bye to Frid. During the four days I'd followed the shooting, he had been in virtually every scene, a feat requiring countless hours of rehearsal and memorization. "The worst part is that I'm a slow study," he said. "You can't always be looking at the TelePrompTer. The audience notices." Although the concept of DARK SHADOWS seems humorous in print, the actors — Frid, in particular — play it in an intense, realistic style. On Monday, after a weekend's rest, he had delivered his lines with energetic authority. By Thursday, the accumulated strain showed in slurred or misread speeches and ill-timed movements.

"I was awful today." he said. "We never retape, no matter how many fluffs the cast makes, not even when scenery falls over. Costs too much."

It was the first time I'd seen him without makeup, and he looked remarkably the same. His face was still pale and haggard, his eyes shadowed. He collapsed into an armchair. The excessively actorish mannerisms had disappeared, and abruptly I found myself talking to a shy, almost self-depreciating man. "This is the only time I really relax," he said, "when I know I'm not on the next day. You asked me earlier what direction I'd like my career to take, and I couldn't give you an answer. Actually I was trying to keep the day's lines straight in my head. Well, I’d like my own repertory company someplace. I've never been all that ambitious, though I enjoy being a big frog in little pond. The biggest kick I ever had as an actor was playing Richard Ill at a college in Pennsylvania. They really liked it, appreciated what I was trying to do. A show like this pays well enough, but— well, you know …”

As I left, I noticed a dozen or so teen-aged girls patiently waiting for Barnabas Collins to appear. I waved to them as I went out the door and, giggling, they waved back.

Thursday, December 17, 2015

Hulu continues to expand its DARK SHADOWS library

Hulu has slowly become the best place online to watch DARK SHADOWS. Since introducing the series to Hulu Plus subscribers back in 2013, the streaming service has been gradually (and quietly) adding episodes to its online catalog. Sometime during the last week, Hulu added a ninth "season" to its archives, bringing the available number of episodes up to 360. That represents almost a year-and-and-half of daily episodes from the original DARK SHADOWS.

Via: Hulu

DARK SHADOWS returns in 2016

Fans of Big Finish's DARK SHADOWS line of audio dramas have spent the last few weeks worrying about the future of the series. The release schedule included in the latest issue of the company's Vortex magazine made no mention of the series in the coming year's releases, which had some people wondering if the Big Finish was losing the DARK SHADOWS license during the show's 50th anniversary.

Well, worry no more! A few minutes ago, Big Finish announced DARK SHADOWS will return in 2016.

In June, Big Finish will release DARK SHADOWS 50th ANNIVERSARY SPECIAL, a two-hour story that sees the return of an "old enemy." I've not no insider information about the identity of this character, but I'm pulling for Nicholas Blair. (The episode is already available for pre-order.)

In the final quarter of 2016, Big Finish will follow last year's BLOODLUST serial with the 13-part BLOODLINE. The teaser sounds intriguing: "As family and friends gather at the Collinwood estate for the wedding of David Collins and Amy Jennings, a new mystery starts to unfold."

Read the full press release HERE.

Wednesday, December 16, 2015

Bah, humbug

I like to keep fans informed about sales on DARK SHADOWS: THE COMPLETE ORIGINAL SERIES. For those of us who aren't independently wealthy, every cent counts (and this DVD collection, even as great as it is, adds up to a LOT of cents.)

At the opposite end of that spectrum is the collection's current sales point, which is the most expensive it's ever been on Amazon. I'm not sure what's driving the recent surge in price, but this is pretty much the opposite of a Christmas miracle.

Via: Amazon

Tuesday, December 15, 2015

I didn't care much for the STAR TREK BEYOND trailer

In lieu of thoughtful commentary explaining why I think the trailer for STAR TREK BEYOND is a flaming shit heap, here are some snarky tweets.

Wednesday, December 9, 2015

Who needs Santa Claus when you've got Kathryn Leigh Scott?

Here's a cool gift idea for the holidays: Kathryn Leigh Scott is having a sale on her books "Return to Collinwood" and "Dark Passages," bundling them together for $24.95 (plus shipping.) To sweeten the deal, she's adding a personal telephone call to the package!

You can get the full details on the holiday sale at her official website.

Tuesday, December 8, 2015

Mars Attacks!

Martian Manhunter, a DC Comics character created in 1955 by Joseph Samachson and Joe Certa, made a surprise appearance last night on the CBS television show SUPERGIRL. You might know Certa better as a regular contributor to Gold Key's DARK SHADOWS comic series.

The TV version keeps close to Certa's original design of the character. You can take a look at him HERE.

Thursday, December 3, 2015

Spend Christmas in Collinsport on Dec. 10

Santa Claus tends to avoid Collinsport.

It's his loss, really. The place is like Halloween Town, but with more booze, shallow graves and polyester. Who needs Santa when you've got Barnabas Collins?

On Dec. 10, we're going to celebrate the beautiful misanthropy of DARK SHADOWS by live tweeting the 2012 audio drama "A Collinwood Christmas." It's a standalone episode that follows the troubled misadventures of Jamison Collins in the early part of the 20th Century.

So, at 8 p.m. EST on Thursday, Dec. 10, fire up the episode on your CD or MP3 player, log into Twitter and chat with us as it plays! Make sure to tag all of your tweets with #DarkShadows. If you don't, only your friends will see your tweets (and assume you've gone mad.)

If you don't already have A Collinwood Christmas, you can get the CD and MP3 online HERE.

Lara Parker's next DARK SHADOWS book has a title

Lara Parker let an interesting piece of news slip today on her Facebook page: Her fourth DARK SHADOWS novel has a title!

DARK SHADOWS: THE HEIRESS OF COLLINWOOD has been finished and delivered to the publisher. Back in 2013, Parker had this to say about the book's concept, which re-introduces Victoria Winters to the drama at Collinwood.
"She's going to grow into a woman who has gumption. All the characters are going to be new. (Victoria's) going to come back to Collinwood and everybody's gone ..."

I'm not sure when to expect THE HEIRESS OF COLLINWOOD to arrive in print and Kindle, but I'd bet on a Fall 2016 release.

If you're looking to catch up on Parker's novels, you can get the paperback editions signed by the author from her official website. If you purchase all three books, you can get the third for just $5. Click HERE for more details. (Note: Lara's online store now accepts Paypal.)

Tuesday, December 1, 2015

PSA: Beware of bootleg DARK SHADOWS boxed sets

(Editor's Note: A reader commented on this post last night to let us know these bootlegs are still circulating, so I'm pushing this back to the top of the website.)


A few weeks back, I received a message from a reader on Tumblr by the name of "lzbarnabas." (He's a pretty active DARK SHADOWS fan and is well-worth following, FYI.) He had ordered DARK SHADOWS: THE COMPLETE ORIGINAL SERIES DELUXE EDITION and was disappointed when the package arrived. The product was so cheaply made that he was suspicious of its origins. With flimsy cardboard packaging, a UPC barcode that claimed to be "limited edition" and numerous DVDs with glued-on labels, he was pretty sure it was a bootleg.

It took a while for lzbarnabas to get his money refunded and, when he ordered the collection from a different vendor, he was pretty sure something was rotten in Denmark. Or, at least, Collinsport.

Luckily, he had the foresight to photograph and video both products for comparison. I forwarded the videos to a representative at MPI Home Video, the distributor of DARK SHADOWS: THE COMPLETE ORIGINAL SERIES DELUXE EDITION, who has issued this warning to customers:

    Dear Customer

    It has come to our attention that there are counterfeit sets being sold and distributed for Dark Shadows: The Complete Original Series Deluxe Edition (MPI item # DVD7991). These counterfeit sets appear nearly identical to the authentic sets. If you are experiencing playback issues with your discs, it is possible that you have purchased a counterfeit set. If so, please alert us as to where you purchased the set. The more detail you can provide us (seller, links, pictures, etc.), the more it will help us put a stop to this illegal distribution. Below is a list of ways you can tell you have purchased a counterfeit set:

  • The authentic set is wrapped in a plastic polybag whereas the counterfeit set is shrink wrapped.
  • The authentic set has a thread that prevents the coffin lid from opening too far. The counterfeit set will open all the way (i.e. no thread).
  • The colors are much purer on the authentic set (stronger reds and blacks).
  • The pages in the booklet are a thinner/poor quality whereas the authentic set is a thicker glossier stock.
  • The corners of the set might be banged up on the counterfeit set.
  • MPI used eco-friendly trays in the amaray cases which have holes in them to save on plastic where the counterfeit sets have solid black plastic backing behind each disc.
  • The picture quality of the actual program will be poorer. The counterfeit sets use a single-layer disc, compressing the quality onto one disc, whereas the authentic version contains dual-layered discs.
  • The counterfeit set will have defective discs whereas the authentic set should not.
    MPI is not responsible for the purchase or quality of counterfeit sets. If you have purchased an illegal set, we recommend contacting eBay and putting a claim against the seller of the counterfeit set. We also encourage you to make your purchases through established retailers such as eBay is not a recommended outlet for this item, and MPI does not sell this item via eBay.

    MPI Home Video
 Below is the original video from lzbarnabas showing him excitedly opening the bootleg DVD collection. For comparison, click HERE to see his video of the legitimate DVD product.

Wednesday, November 25, 2015

Barnabas + Victoria 4EVR

An interesting piece of original art from Innovation's DARK SHADOWS comic series has gone up for auction on Ebay.

The 20" X 30" painting shows Joanna Going and Ben Cross as Barnabas Collins and Victoria Winters as they appeared in the 1991 "revival" series. I'm a little unclear on the purpose of this artwork, though. Artist Jason Palmer did a lot of work for Innovation, creating the covers for the company's LOST IN SPACE series ... but I don't think he ever worked on DARK SHADOWS. It's possible this art is a rejected cover, was created for promotional purposes, or was a personal commission. (The auction merely says its a "poster art painting.")

The auction ends in three days. You can see the full artwork below.

Via: Ebay

Tuesday, November 24, 2015

The Lost DARK SHADOWS, 2004

Despite his often ambivalent relationship with DARK SHADOWS, Dan Curtis spent a great deal of time in his later years trying to revive the property. His plans involved potential movies, stage musicals, and the 2004 attempt to restore the program to its most relevant media: Television.

Unfortunately, nobody could ever agree on what a 21st century version of DARK SHADOWS should look like. WB was fully committed to the project, going so far as forcing ANGEL off the air to make room for the series. The network's fear of having two vampire shows competing for the same audience ultimately left them with nothing, because DARK SHADOWS never advanced beyond the pilot episode (and even that was never finished).

The biggest problem with the pilot is that the creative minds behind the project could never agree on a tone. Curtis, The WB and director P.J. Hogan were working at odds to tell very different stories. Curtis pushed for a more serious atmosphere, while WB wanted a show that could sit shoulder-to-shoulder with programs like ROSWELL and BUFFY THE VAMPIRE SLAYER. Meanwhile, Hogan was more focused on his feature film career and was reportedly less-than-invested in the pilot. By all accounts, the resulting product was a patchwork of ill-fitting ideas.

Compounding problems was the pilot's audacious (and often wrong-headed) casting. The 2004  pilot has a staggering amount of talent on screen, including Blair Brown, Kelly Hu, Alec Newman and Jessica Chastain (!?) It's impossible to argue that producers didn't secure a world-class bunch of actors, but whether or not any of those actors were right for the roles is debatable. No offense to the other actresses who have played Carolyn Stoddard over the years, but Chastain seems overqualified for the role. Hu would have been the most physical actress to ever play Dr. Hoffman and would likely have redefined the role forever. Matt Czuchry as Willie Loomis, though, seems about as terrible a casting as you can make. And, while I'm a believer that Newman should be allowed to do whatever the hell he wants, I've got a hard time buying him as Barnabas Collins.

Of course, these opinions might all have changed had the pilot been picked up. But we'll never know.

Below is an interview with the pilot's make-up artist Todd McIntosh, who told Fangoria about the behind-the-scenes complications of DARK SHADOWS.

Doug Jones gets into character.
Fangoria #239, January 2005
By Joe Nazarro

For veteran makeup artist Todd McIntosh, working on the new DARK SHADOWS was a childhood dream come true. A devoted fan of the original series, McIntosh, who finished a six-year stint on BUFFY THE VAMPIRE SLAYER not long ago, was delighted to work on the recent WB pilot, which failed to be picked up for the network’s fall schedule.

“I don’t know what the final reason was that they nixed it,” says McIntosh, who provided FANGORIA with the above never-before-seen photos from the pilot. “The way it was explained to me, almost everyone making the decisions didn’t like the show, but no one could say what they didn’t like. One person wouldn’t like an actor, another person didn’t like this choice or the lighting or whatever, but nobody could come to a cohesive, point-the-finger-at-one-element and say, ‘That’s what’s wrong with it.’ It probably would have been better if they could. If they could have pointed at one actor and say, ‘That guy is ruining this whole pilot; replace him and let’s go!’ they’d have been able to make a decision. But the different factions were looking at it and saying, ‘Well, it’s not right, but I don’t know why. Let’s just not put the energy into it—and besides, it costs $5 million!’”

"Early stage" make-up for Barnabas Collins (Alec Newman).
McIntosh headed up the makeup department, with prosthetics built by Andrew Clements of Creative Characters. Their collaborations included Barnabas Collins (Alec Newman) in varying stages of decomposition as he’s brought back to life, and the equally cadaverous demon (HELLBOY’s Doug Jones) seen in the opening sequence. According to McIntosh, “Victoria Winters (Marley Shelton) is on the train to Collinwood when she falls asleep and has a dream where a kid in a Halloween costume suddenly becomes a monster. It made sense to me that if the kid is in a red devil costume, the monster should be a devil or demon of some kind.

Actress Marley Shelton, director P.J. Hogan and Doug Jones.
“The director (PETER PAN’s P.J. Hogan, below with Shelton and Jones in the demon getup) waffled on this a couple of times, and what he came back with was that the creature she sees in her dream, which gives her a bit of a warning, is some victim of Barnabas from the past. At the same time, we still had to build the corpse of Old Barnabas in the coffin, and to save time and money — we still didn’t have an actor cast for Barnabas at that point — we used Doug Jones for both makeups. We tried to make them look different, but I believe the director held on the train demon a little too long. It should have been just a quick scare, but because we had the same actor in both makeups, there is a bit of a resemblance.”

McIntosh is particularly pleased with his work on Ivana Milicevic, who portrayed the evil Angelique, as well as Shelton as Victoria, whom he turned into a latter-day Tippi Hedren. Sadly, it now appears that a television audience may never see his work. “Maybe they’ll put it out on DVD, it might find a life at DARK SHADOWS conventions, so it’s not dead,” McIntosh muses. “I know they’re shopping it around, but the further away it gets from when it was made, the harder it’s going to be to tie anybody back together again because they’ll be working on other shows. But to be standing there on set, and be able to look in my hand and say, ‘Hey, I’m holding Barnabas’ teeth!’—that was pretty amazing.” Associate producer Jim Pierson has promised “some kind of preview” of the pilot at the upcoming DARK SHADOWS Festival to be held at the Westchester Marriott in Tarrytown, NY.

Monday, November 23, 2015

I ran home to watch Dark Shadows and lived to tell about it

We've all heard the tales of children "running home from school" to watch DARK SHADOWS.

I've had at least one cast member of the series cast shade on that legend, with good reason. Local affiliates had a lot of flexibility about when (and even if) DARK SHADOWS aired. Scheduling fluctuated wildly, with a few affiliates broadcasting the show in the mornings, with other airing episodes later in the afternoon. While it wasn't a universal truth, the "I ran home to watch Dark Shadows" meme was probably true somewhere, though.

Apparently, there was some concern about the phenomenon creating traffic hazards in San Antonio, Texas, back in 1971. The San Antonio Express once published a regular feature called "And Now a Word from Channel 12," which let readers fire off questions about programming to KSAT-TV staff. At the time, DARK SHADOWS aired at 3 p.m. during the week, but one reader asked why the series couldn't be moved to a time slot better suited for younger viewers.

The station's response is kind of surprising.
"At one time we did delay the program until 3:30 p.m. However, we received several letters and phone calls saying that children were disregarding safety measures in their haste to get home after school for the program."
You can read the full exchange below.

I reject your reality and substitute my own

Frank Schildiner has shared an interesting essay over at that seeks to connect DARK SHADOWS to the work of H.P. Lovecraft. And this relationship is lot more complicated that you think.

Titled "The Great Old Ones and the Collins Family," Schildiner's piece not only attempts to connect the traditional vampires, witches and werewolves of DARK SHADOWS to Lovecraft's alien gods, but also takes numerous additional steps that connects both stories to the greater Wold Newton Family.

For the uninitiated, the Wold Newton Family is an intellectual exercise created by author Philip Jose Farmer in his fictional biographies "Tarzan Alive" and "Doc Savage: His Apocalyptic Life." The concept links hundreds of pulp novels, comic books, radio shows and other media into a single shared universe, using unintended "clues" provided in existing stories. For example, Margo Lane (the adventurer and companion of The Shadow) might very well be the sister of Lois Lane from the SUPERMAN comics.

Schildiner has taken the concept a step further, connecting the works of H.P. Lovecraft to the world of DARK SHADOWS in a framework that also tries to  explain the sometimes conflicting narrative within the gothic soap. DARK SHADOWS makes this an easy pitch: the series' controversial "Leviathans" storyline was inspired directly by Lovecraft's work, though in refrained from directly using any of the author's characters or situations.

Schildiner isn't content to underline these already obvious relationships, though, and has written a ridiculously elaborate narrative that relates Joseph Curwen (of Lovecraft's "The Case of Charles Dexter Ward") to both Nicholas Blair AND Count Petofi, establishes a bloodline connecting Angelique directly to Laura Murdoch/The Phoenix, and suggests an absurd fate for Victoria Winters that involves Marvel Comics' SON OF SATAN.

For real.

Some of it is pretty smart; other elements (such as Angelique's "true" designs on Barnabas Collins) undermine everything we know about the characters in some really awful ways. Schildiner has a deep knowledge of DARK SHADOWS' many storylines, but some of his ideas suggest he doesn't fully understand them. Still, it's worth a read for hardcore fans of the series.

I both love and hate these kinds of experiments. Continuity is the lifeblood of storytelling, but geeks are pretty famous for not knowing when to quit. The Wold Newton Family sometimes feels to me like the fictional equivalent of paranoid schizophrenia. The words "plot" and "conspiracy" are interchangeable, after all, and Wold Newton seeks to make a conspiracy of the written word.

You can read Schildiner's entire essay HERE.

Via: The Official Philip José Farmer Web Page

Friday, November 20, 2015

Barnabas Collins by Patrick Owsley

We interrupt this broadcast to present an adorable piece of art by cartoonist Patrick Owsley.
You get grab a print of this artwork from the artist on Ebay.


This week's #CollinsTweet

Bill Malloy is missing: Has the manager of the Collins Fishing Fleet and Cannery simply gone on a bender, or has he become one of the elite members of the Widows' Hill Club? Tune in this week to find out! Maybe!

#CollinsTweet begins every Sunday at 8 p.m. EST on Twitter. If you decide to join us, make sure to include the hashtag #CollinsTweet with your posts during the discussion. If you don't, people won't know you're participating.

Here are the summaries for this week's episodes, courtesy of @barnabaslackey:

Episode 47: Carolyn has a feeling of impending doom, Bill Malloy is suddenly nowhere to be found, and Roger gives Burke Devlin back the Friendship Pen he gave to Carolyn, which oughta learn him. Just a normal night in Collinsport. Still no vampires, though.

Episode 48: The next morning. Still no sign of Bill Malloy. Or of vampires, sorry. Burke Devlin continues to give inappropriate gifts: this time it’s a Home Clairvoyant Kit for The Creepy Little Boy Who Has Everything. Joe Haskell turns up again, if you like that kind of thing.

Wednesday, November 18, 2015

Scooby Doo Vs Barnabas Collins: Round 2

Barnabas Collins made a return appearance to SCOOBY DOO when I wasn't paying attention.


The ghost of Elias Kingston, introduced more than 40 years ago during the first season of SCOOBY DOO, WHERE ARE YOU, showed his familiar face on the first episode of the new series, BE COOL, SCOOBY DOO. If the "ghost" looks a little like Barnabas Collins, it's not a coincidence. Kingston made his debut in a 1969 episode (titled "What the Hex Going On") that was absolutely lousy with references to DARK SHADOWS.

Below are a few images illustrating the episode's many homages to the gothic soap.

BE COOL, SCOOBY DOO should put to bed any doubts that Elias Kingston was based on actor Jonathan Frid. Not only does his return in the new series look more like Frid than ever, the character is significantly more fangy that before. See for yourself at the top of this post.

Here's an episode summary:
In the series premiere episode, Velma’s got an interview at the prestigious Kingston University, the most selective school in the country. The only catch? The dean wants her and the rest of the Scooby gang to figure out why the ghost of Elias Kingston, the school’s founder, is haunting Kingston’s book-filled halls!
The episode (titled "Mystery 101") was broadcast on Oct. 15 on the Cartoon Network, which has graciously made the entire episode available for viewing online. You can watch a clip from the episode below, or catch the entire thing online HERE.

Via: Cartoon Network

Tuesday, November 17, 2015

DARK SHADOWS: BLOODLUST is in the running for BBC award

UPDATE: To celebrate the BBC nomination, Big Finish has launched a sale on DARK SHADOWS: BLOODLUST. For a limited time you can grab both volumes of the series on six CDs for $45.59. The digital download of the complete series is on sale for $30.

Follow THIS LINK for details.


Original post:

Well, this is exciting: DARK SHADOWS: BLOODLUST has received a nomination in the 2016 BBC Audio Drama Awards!

The 13-part serial has been nominated for "Best Online Only Audio Drama" in this year's awards. The DARK SHADOWS release is competing against HOOD: KING’S COMMAND (Spiteful Puppet Entertainment), SURVIVORS: THE HUNTED (Big Finish), THE JUDGEMENT OF SHERLOCK HOLMES (Big Finish), THE KINDNESS OF TIME (Rosie Boulton) and THE OMEGA FACTOR: THE OLD GODS (Big Finish).

You can find the shortlist for this year's awards HERE.

DARK SHADOWS: BLOODLUST was written by Alan Flanagan, Will Howells and Joseph Lidster, and directed by Ursula Burton and David Darlington.

Via: BBC

That other time Ben Cross played a vampire

Vampire stories are derivative by nature. While the line might be a little wobbly, the distance between John Polidori's 1819 story "The Vampire" and HBO's TRUE BLOOD is not a great as we like to think. When you prune the decorative foliage from BUFFY THE VAMPIRE SLAYER, Anne Rice's "Interview with the Vampire," Marvel's "Tomb of Dracula" and DARK SHADOWS, you'll usually find the same tale of predatory romance lurking just beneath the surface.

So the idea of accusing a vampire story of ripping off anything feels a little wrong ... especially when you're talking about something as pastiche driven as DARK SHADOWS.  But it's hard to discount the weird similarities between that show and the 1989 TV movie,  NIGHTLIFE. Here's the summary that was floated to regional TV guides prior to its debut in August that year:
"A newly resurrected vampire attempts to adjust to the modern world while being torn between the hematologist who wants to cure her and her undead lover."
It sounds a bit like a gender-swapped version of HOUSE OF DARK SHADOWS, doesn't it? Curiously, the movie's anti-heroine (played by Maryam d'Abo) is named "Angelique." And her undead lover "Vlad" was played none other than Ben Cross ... who'd go on to play  "Barnabas Collins" in the DARK SHADOWS revival just two years later. Some of these similarities are just matters of serendipity; others, I'm sure, are by design. You can probably figure out which is which.

If you're curious about NIGHTLIFE, there's a pirated version of the film currently streaming on YouTube. Embedding has been disabled on the video, but you can find the entire film HERE.

Spend Black Friday in Collinsport


On Black Friday, I’m gonna party like it’s 1991.

Okay, I apologize for that. I don’t even like Prince. Starting with such a line is part of the ritual, and now that it’s out of the way, I want to talk about why I’m watching all of the 1991 Dark Shadows in a day.

(Oh, and to get something else out of the way, “blame the Gulf War, blah, blah, blah.…”)

I had no contact with Dark Shadows fandom until 2012, when I watched “The Twelve Twenty-Five” (meaning all 1,225 episodes) in 45 days. As fandoms go, there are few more dedicated, passionate, and firm in opinions. And the legend I heard was that many fans were not fond of the 1991 series. I heard legends that Festivals tried to include some 1991ian involvement, and that did not, um, go well. Maybe it’s apocryphal.

Anyway, this surprised me.

Was it just me, or did they cast the 1991 show and start filming nearly a year before? I feel like I saw the first picture of Ben Cross as Barnabas in 1990, as I was graduating high school. If so, that was a significant picture, because I felt like I was seeing “my Barnabas.” Coming from the paradigm (finally) set by Star Trek: The Next Generation (as well as, more importantly, Love Boat: The Next Wave), I now looked at the major franchises a bit like comic books or James Bond. They’d always be around. They’d be freshened by necessity. The only question was if they’d maintain continuity or be remakes.

I’d always hoped for a “new” Dark Shadows. Given that Mr. Frid didn’t seem very interested, a remake was the most I could hope for. When it was announced as a big budget, nighttime production by the Wouk-powered Dan Curtis on ratings titan NBC, it seemed that I’d finally be able to show people Dark Shadows and have them “get it.” This was the age of Twin Peaks, which might have made it possible. Between that and STTNG, I suspect that NBC was more than willing. They saw what I still see: Dark Shadows is the untapped Star Trek of horror. It’s a potentially expansive universe starting with a core cast of characters and central location. This was the best way to see that happen, I thought.

I remember liking it. And I also remember reluctantly acknowledging that the changes were made to appease 1990 audiences. I dealt with it. Would I have done things differently? Sure. And I may go into those things. But at its essence, is it Dark Shadows? Yes. Wrongdoings, regret, and ramifications abound. What it never had the chance to explore was atonement and forgiveness. I think it handled “1791” with a respectable tightness, and it played well with the whole Josette Doppleganger thing, making it dramatically pertinent to our audience surrogate. The most important change was that of Barnabas. He’s a bit too comfortable twirling his metaphorical mustache, a bit too confident in lying, and a bit too oily in romancin’ the gals. Jonathan Frid specialized in putting a barely concealed terror behind everything Barnabas did. Meaning that Barnabas felt a barely concealed terror. When he’d proclaim a plan would work, it always sounded like he were trying to convince himself. Ben Cross had a strength and confidence that was very different. Yet I bought it as a viable interpretation of the text. Will I now? I’m not sure.

I’ve watched it a few times over the years. Usually, to bring new girlfriends into the Collinsport fold. But this is the first time since I pretty much chucked all fandoms over to have no other franchise before Dark Shadows. I just hope they solved the day-for-night issues. Even if they didn’t, I’ll shut up and deal. We’re Dark Shadows fans. It’s what we do.

It’s worth it.

(Editor's Note: You can find a schedule for the day's events HERE.)

Patrick McCray is a comic book author residing in Knoxville, Tenn., where he's been a drama coach and general nuisance since 1997. He has a MFA in Directing and worked at Revolutionary Comics and on the early days of BABYLON 5, and is a frequent contributor to The Collinsport Historical Society. You can find him at The Collins Foundation.

Monday, November 16, 2015

Jerry Lacy kicks ass, takes names in AUGUST T. HARRISON

THE  LAST CASE AUGUST T. HARRISON, a short feature starring Jerry Lacy, is now available on Vimeo. The film stars Lacy (who played many members of the wicked Trask family on DARK SHADOWS) in the title role, a private investigator looking into a missing persons case. Here's the official summary:
"Set in and around Venice Beach, California - August T. Harrison, private eye, comes out of retirement to solve what seems at first to be a bizarre missing persons case, but as he digs deeper, he finds himself caught in the middle of a dark conspiracy involving the writings of H.P. Lovecraft. Are Lovecraft's tales just fiction? Or do they hold the secrets of the cosmos?"
THE  LAST CASE AUGUST T. HARRISON is available to rent from Vimeo. You can watch a trailer for the film below.

THE LAST CASE OF AUGUST T. HARRISON from Hollinsworth Productions on Vimeo.
Related Posts Plugin for WordPress, Blogger...