Wednesday, June 21, 2017

The Dark Shadows Daybook: June 21



By PATRICK McCRAY

Taped on this date in 1968: Episode 527

Nicholas’ gloating over the restoration of Cassandra’s painting is short lived when Jeff presents him with his lost coat button. He and Vicki go to visit Stokes, who masterfully tutors Adam in the fine art of being a witty, urbane man-about-town before hiding him from his visitors. To discover Jeff’s identity, he hypnotically regresses him, learning of Lang’s perverse plans, just short of the full truth of Julia and Barnabas’ involvement. Emboldened with what he learns, Stokes struts manfully into Collinwood where he meets and intimidates the comparably ineffectual Nicholas Blair, the man who sold the Cassandra painting to the antiques dealer. Stokes explains to Vicki that this is man stuff, and she should amscray from Collinwood  before becoming the next victim of the dream curse.

I have to hand it to Stokes. We forget that he gets brought into the deeper recesses of the DARK SHADOWS universe by finding out about Barnabas and Julia’s involvement with something nefarious, and he still becomes their staunchest ally. Talk about a spider sense! Perhaps he chooses his friends by their enemies. After all, his next move finds him meeting Nicholas Blair in the heart of Collinwood, and the Professor knows exactly what that means. What does he do? T. Eliot Stokes stares down the devil like the stone-cold badass he is and pretty much outs him in front of Vicki. He essentially says, “Hey, you know that portrait that’s driven everyone crazy? The one that looks like Roger’s new wife? The woman we’re glad is gone? You know, the one who looks like you-know-who-in-a-black-wig? Well, this is the guy who was involved with it when I first saw it! What a coincidence!”

Big. As. Churchbells.

Pass the cheese and sherry.

On this day in 1968, the number one song was “This Guy’s in Love with You,” by Herb Alpert and the Tijuana Brass. Alpert also sang it, and his straightforward style and limited vocal range actually gave the song its lovable authenticity. Although it’s easy to write off his sound as quintessential elevator music, he was one of the most successful musical artists of the 1960’s, a fact that is emblematic of the intense musical variety of that era.

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